Maria Hemmleb

With its numerous interviews, the film is an inventory of current forms of resistance. It shows the strength, but also the weakness of the momentary disputes. The story, the practice and the discussion are described in the film – an exciting affair.

In 1922, Max Ernst produced a painting entitled “The Rendezvous of Friends”. In surrealist style, it shows his friends from Paris - including Robert Desnos, Hans Arp, Paul Éluard and André Breton - all avant-gardists. The documentary follows the painting's journey from the artist's easel to the Museum Ludwig.

A documentary about the artist Ella Bergmann-Michel, who was born in Paderborn in 1895 and died in Eppstein im Taunus in 1972. The film focuses primarily on her work: drawings and collages, photographs, and sequences from her documentary films from the late 1920s. The film brings together what is often mistakenly separated, namely the painter on the one hand and the documentary filmmaker on the other.

Two artists, Anne Spengemann and Kay Weber, meet each other drawing. The camera moves further and further away from its viewer's point of view and is part of the drawing at the end.

With its numerous interviews, the film is an inventory of current forms of resistance. It shows the strength, but also the weakness of the momentary disputes. The story, the practice and the discussion are described in the film – an exciting affair.

In 1922, Max Ernst produced a painting entitled “The Rendezvous of Friends”. In surrealist style, it shows his friends from Paris - including Robert Desnos, Hans Arp, Paul Éluard and André Breton - all avant-gardists. The documentary follows the painting's journey from the artist's easel to the Museum Ludwig.

In 1922, Max Ernst produced a painting entitled “The Rendezvous of Friends”. In surrealist style, it shows his friends from Paris - including Robert Desnos, Hans Arp, Paul Éluard and André Breton - all avant-gardists. The documentary follows the painting's journey from the artist's easel to the Museum Ludwig.

A documentary about the artist Ella Bergmann-Michel, who was born in Paderborn in 1895 and died in Eppstein im Taunus in 1972. The film focuses primarily on her work: drawings and collages, photographs, and sequences from her documentary films from the late 1920s. The film brings together what is often mistakenly separated, namely the painter on the one hand and the documentary filmmaker on the other.

A documentary about the artist Ella Bergmann-Michel, who was born in Paderborn in 1895 and died in Eppstein im Taunus in 1972. The film focuses primarily on her work: drawings and collages, photographs, and sequences from her documentary films from the late 1920s. The film brings together what is often mistakenly separated, namely the painter on the one hand and the documentary filmmaker on the other.

Two artists, Anne Spengemann and Kay Weber, meet each other drawing. The camera moves further and further away from its viewer's point of view and is part of the drawing at the end.