Dushan Gligorov

Crazy? A maniac? Or the devil, clothed in the flesh of a cyber fighter, dreamed of by sixteen-year-old Lisa, who is obsessed with computer games? The cast-iron manhole cover is shifted, and Someone comes out of the infernal depths of the basement… That night, in the walls of the old confectionery factory, the virtual becomes real… That night, the deserted workshops turn into labyrinths of a tough game that Lisa has to play ... games without rules. GAMES WHERE "EVERYTHING IS POSSIBLE"…

The 1962 Cuban Missile Crisis led to the nuclear exchange between major superpowers. As a result, instead of further development of technology, humankind invested all the resources in genetic engineering. Newborns got improved genes, and in the late 80's the first generation of people with various improvements entered the picture. But there were still those whose genes for some reasons were not improved. In a genetically engineered society, such people became outcasts, placed in clearly marked ghetto areas. The protagonist is an outcast, whose body did not accept genetic improvements. From the very childhood, he tries to fix this using various design tools of his own making. Once he is wrongly accused and enters the fight to clear his name. But it turns out that his home, the entire area of "genetic outcasts" is out on a limb. The protagonist directs his abilities to protect those who cannot protect themselves.

Sergey and Igor are awol. They came to Moscow with a video camera to prepare a birthday present for Sergei's mother, a video tour of the capital, because his mother had never been to Moscow. Sergei meets a girl named Katya at the Tretyakov Gallery...

What did it mean to liberate the city and what does it mean today in Belgrade? How does the post-Tito generation of Belgraders reflect on the glorious past of their city and how its meanings have changed over the last 60 years? What is it like to live in Belgrade? Who are the new conquerors and who can be the new liberators?

Cinematically austere yet emotionally developed, this film combines a physical and spiritual metaphor for the confrontation with the unexpected.

Crazy? A maniac? Or the devil, clothed in the flesh of a cyber fighter, dreamed of by sixteen-year-old Lisa, who is obsessed with computer games? The cast-iron manhole cover is shifted, and Someone comes out of the infernal depths of the basement… That night, in the walls of the old confectionery factory, the virtual becomes real… That night, the deserted workshops turn into labyrinths of a tough game that Lisa has to play ... games without rules. GAMES WHERE "EVERYTHING IS POSSIBLE"…

The 1962 Cuban Missile Crisis led to the nuclear exchange between major superpowers. As a result, instead of further development of technology, humankind invested all the resources in genetic engineering. Newborns got improved genes, and in the late 80's the first generation of people with various improvements entered the picture. But there were still those whose genes for some reasons were not improved. In a genetically engineered society, such people became outcasts, placed in clearly marked ghetto areas. The protagonist is an outcast, whose body did not accept genetic improvements. From the very childhood, he tries to fix this using various design tools of his own making. Once he is wrongly accused and enters the fight to clear his name. But it turns out that his home, the entire area of "genetic outcasts" is out on a limb. The protagonist directs his abilities to protect those who cannot protect themselves.

Sergey and Igor are awol. They came to Moscow with a video camera to prepare a birthday present for Sergei's mother, a video tour of the capital, because his mother had never been to Moscow. Sergei meets a girl named Katya at the Tretyakov Gallery...

What did it mean to liberate the city and what does it mean today in Belgrade? How does the post-Tito generation of Belgraders reflect on the glorious past of their city and how its meanings have changed over the last 60 years? What is it like to live in Belgrade? Who are the new conquerors and who can be the new liberators?

What did it mean to liberate the city and what does it mean today in Belgrade? How does the post-Tito generation of Belgraders reflect on the glorious past of their city and how its meanings have changed over the last 60 years? What is it like to live in Belgrade? Who are the new conquerors and who can be the new liberators?

Cinematically austere yet emotionally developed, this film combines a physical and spiritual metaphor for the confrontation with the unexpected.