Martina Vachkova

A neo-noir set in the New York City's corrupt contemporary art world where the art dealer John Kaplan and the ruthless head of New York's mafia, Michael Rubino, fight for money, art, power and love.

The story of a struggling fisherman and a blind lady trying to save their village.

Dona, Lukrecie and Tana - three women of different origins and destinies, whose stories unfold at different times. The tale of the Romany woman Dona begins in the 1960s. The only assets this beautiful and vital woman has are her three children fathered by different men. In order to secure a livelihood for them, she moves in with an older, but disabled man, who turns out to be a pervert. Ten years later, the ambitious Lukrecie is trying to avoid employment in the village. After she becomes pregnant by a prospective suitor, she meets an attractive young man who offers her a life abroad, something she had always dreamed of. Lukrecie resolves her situation in the most appalling way. Tana, the wife of a prosperous businessman, vainly longs to have a child. On the advice of a friend, she goes off to a spa, whose miraculous reputation is attributable to a skillful masseur. Her husband, however, is unmoved by the joyful news.

Once upon a time... a long time ago... I was raised in a suitcase. I was lying in the suitcase and could only see the sky. White clouds and endless blue surrounded me. Sometimes the clouds quietly passed by me and I sank into their whiteness, and sometimes they turned into dragons and began to fight in the sky, advancing towards each other, grappling, their heads fell in battle, but in their place others immediately grew, and blue showed through their wounds...

Two eternal opposing theses - play is our life or life is our play - are the base of music, dance and verse which fit together in this film.

Friday night. On the weekend, five women will be able to think about themselves.

Dimka is a married young woman who has everything: a new house and a car. But she is unhappy. She meets Grigor, who is different from the others. He loves music. They ignore the material well-being and the opinion of others. But Dimka can't stand it and returns to her husband to live in her own way.

A teenage girl's rebellion through drugs becomes a metaphor for the struggle between individuality and totalitarianism. Amidst the political upheaval of 1968, Sybilla (the "Countess") is sent to a girls' re-education camp when she is caught using drugs. After a failed affair and an abortion, Sybilla's drug use lands her in a mental clinic where she resists efforts to remold her personality. Based on a true story.

Early 20th century. This is an era of seething passions, aspirations for freedom and national self-identification. Uprising are incited, blood is shed. The picture features national leaders who become heroes as early as in their lifetime. The protagonist is rank-and-file Macedonian who is unwittingly swept by the events. Later, it was his conscious choice. He was a witness of changes, crucial for the nation. He comes across legendary personalities. He gets enchanted and disappointed. He is seeking for the right answers, rethinks what he saw and experienced to tell his story in his simple, but candid and wise words of his own.