Lemohang Jeremiah Mosese

Amongst the mountains of Lesotho, an 80-year-old widow winds up her affairs and makes arrangements for her burial. But when her village is threatened with resettlement due to the construction of a reservoir, she finds a new will to live and ignites a spirit of resistance within her community.

The wastelands and crowded streets of an African country are traversed by a woman bearing a wooden cross on her back. She is followed by sellers, beggars and passersby, outraged voices, pity and curious glances. Parallel to her, among a herd of sheep, a lamb toddles its way from the far away mountains into the heart of the city, only to find itself dangling, skinned and headless, on a butcher’s shoulder. In the meantime, under the scorching sun, in a roofless house, a woman is persistently knitting a garment, unwinding a thread coiled over her son’s face.

In a society riddled by patriarchy, Mosonngoa embarks on an incisive pursuit to save her father's farm. When all her attempts fail, she enters a stick-fighting competition - against all odds.

An itinerant preacher proclaims to people that their god is in the very coffin he is dragging along.

An exploration of the director's childhood in Lesotho and his adult experience of exile in Germany through the narratives of a young boy, a market woman, and a puppeteer.

A young aspiring suicide candidate. A salesman of stolen knives. An evangelical pastor with a mystic past. The stories of these characters intertwine in a cold, hopeless Germany.

Amongst the mountains of Lesotho, an 80-year-old widow winds up her affairs and makes arrangements for her burial. But when her village is threatened with resettlement due to the construction of a reservoir, she finds a new will to live and ignites a spirit of resistance within her community.

Amongst the mountains of Lesotho, an 80-year-old widow winds up her affairs and makes arrangements for her burial. But when her village is threatened with resettlement due to the construction of a reservoir, she finds a new will to live and ignites a spirit of resistance within her community.

The wastelands and crowded streets of an African country are traversed by a woman bearing a wooden cross on her back. She is followed by sellers, beggars and passersby, outraged voices, pity and curious glances. Parallel to her, among a herd of sheep, a lamb toddles its way from the far away mountains into the heart of the city, only to find itself dangling, skinned and headless, on a butcher’s shoulder. In the meantime, under the scorching sun, in a roofless house, a woman is persistently knitting a garment, unwinding a thread coiled over her son’s face.

The wastelands and crowded streets of an African country are traversed by a woman bearing a wooden cross on her back. She is followed by sellers, beggars and passersby, outraged voices, pity and curious glances. Parallel to her, among a herd of sheep, a lamb toddles its way from the far away mountains into the heart of the city, only to find itself dangling, skinned and headless, on a butcher’s shoulder. In the meantime, under the scorching sun, in a roofless house, a woman is persistently knitting a garment, unwinding a thread coiled over her son’s face.

The wastelands and crowded streets of an African country are traversed by a woman bearing a wooden cross on her back. She is followed by sellers, beggars and passersby, outraged voices, pity and curious glances. Parallel to her, among a herd of sheep, a lamb toddles its way from the far away mountains into the heart of the city, only to find itself dangling, skinned and headless, on a butcher’s shoulder. In the meantime, under the scorching sun, in a roofless house, a woman is persistently knitting a garment, unwinding a thread coiled over her son’s face.

In a society riddled by patriarchy, Mosonngoa embarks on an incisive pursuit to save her father's farm. When all her attempts fail, she enters a stick-fighting competition - against all odds.

In a society riddled by patriarchy, Mosonngoa embarks on an incisive pursuit to save her father's farm. When all her attempts fail, she enters a stick-fighting competition - against all odds.

An itinerant preacher proclaims to people that their god is in the very coffin he is dragging along.

An itinerant preacher proclaims to people that their god is in the very coffin he is dragging along.

An itinerant preacher proclaims to people that their god is in the very coffin he is dragging along.

An exploration of the director's childhood in Lesotho and his adult experience of exile in Germany through the narratives of a young boy, a market woman, and a puppeteer.

An exploration of the director's childhood in Lesotho and his adult experience of exile in Germany through the narratives of a young boy, a market woman, and a puppeteer.

An exploration of the director's childhood in Lesotho and his adult experience of exile in Germany through the narratives of a young boy, a market woman, and a puppeteer.

A young aspiring suicide candidate. A salesman of stolen knives. An evangelical pastor with a mystic past. The stories of these characters intertwine in a cold, hopeless Germany.

A young aspiring suicide candidate. A salesman of stolen knives. An evangelical pastor with a mystic past. The stories of these characters intertwine in a cold, hopeless Germany.

Three childhood friends have a dream of having water. Going to Maseru is their dream…to have their share of good things that the world has to offer.