Christopher Saul

The lives of Bodie and Doyle, top agents for Britain's CI5 (Criminal Intelligence 5), and their controller, George Cowley. The mandate of CI5 was to fight terrorism and similar high-profile crimes. Cowley, a hard ex-MI5 operative, hand-picked each of his men. Bodie is a cynical ex-SAS paratrooper and mercenary whose nature ran to controlled violence, while his partner, Doyle, comes to CI5 from the regular police force, and is more of an open minded liberal. Their relationship is often contentious, but they are the top men in their field, and the ones to whom Cowley always assigned to the toughest cases.

Dempsey and Makepeace is a British television crime drama made by London Weekend Television for ITV, created and produced by Ranald Graham. The leading roles were played by Michael Brandon and Glynis Barber, who later married each other on 18 November 1989. The series combined elements of previous series such as the mis-matching of British and American crime-fighters from different classes as seen in The Persuaders! and the action of The Professionals.

The Chief is a British crime drama transmitted on ITV from 20 April 1990 to 16 June 1995. Produced by Anglia Television, it centred on the politics at the top of a typical English police force in its continual battle to solve the problems the times, in this case the fictional Eastland of East Anglia.

Enola takes on her first official case as a detective, but to solve the mystery of a missing girl, she'll need help from friends — and brother Sherlock.

A young couple from Merseyside and their off again/on again relationship.

One Foot in the Grave is a BBC television sitcom series. The series features the exploits of Victor Meldrew and his long-suffering wife, Margaret. The programmes invariably deal with Meldrew's battle against the problems he creates for himself. Living in a typical household in an unnamed English suburb, Victor takes involuntary early retirement. His various efforts to keep himself busy, while encountering various misfortunes and misunderstandings are the themes of the sitcom. Despite its traditional production, the series supplants its domestic sitcom setting with elements of black humour and surrealism.

The lives of Bodie and Doyle, top agents for Britain's CI5 (Criminal Intelligence 5), and their controller, George Cowley. The mandate of CI5 was to fight terrorism and similar high-profile crimes. Cowley, a hard ex-MI5 operative, hand-picked each of his men. Bodie is a cynical ex-SAS paratrooper and mercenary whose nature ran to controlled violence, while his partner, Doyle, comes to CI5 from the regular police force, and is more of an open minded liberal. Their relationship is often contentious, but they are the top men in their field, and the ones to whom Cowley always assigned to the toughest cases.

Dempsey and Makepeace is a British television crime drama made by London Weekend Television for ITV, created and produced by Ranald Graham. The leading roles were played by Michael Brandon and Glynis Barber, who later married each other on 18 November 1989. The series combined elements of previous series such as the mis-matching of British and American crime-fighters from different classes as seen in The Persuaders! and the action of The Professionals.

The Chief is a British crime drama transmitted on ITV from 20 April 1990 to 16 June 1995. Produced by Anglia Television, it centred on the politics at the top of a typical English police force in its continual battle to solve the problems the times, in this case the fictional Eastland of East Anglia.

A young couple from Merseyside and their off again/on again relationship.

One Foot in the Grave is a BBC television sitcom series. The series features the exploits of Victor Meldrew and his long-suffering wife, Margaret. The programmes invariably deal with Meldrew's battle against the problems he creates for himself. Living in a typical household in an unnamed English suburb, Victor takes involuntary early retirement. His various efforts to keep himself busy, while encountering various misfortunes and misunderstandings are the themes of the sitcom. Despite its traditional production, the series supplants its domestic sitcom setting with elements of black humour and surrealism.

Implicated in an enquiry, maverick undercover DI Mick Raynor goes deep undercover to infiltrate dangerous criminal networks, often bending the rules in order to get results.