Huang Hsin-yao

If the law and its enforcement has worked, then the world needs gods no more... When facing the dilemma with no right answer in this world full of ambiguity, Lou I-fang, the Master of the shrine and the Chief of the village will stand out to do justice right. Together with his assistant and fellow lawyers, they team up to bring hope to people whenever crime or unfairness emerge. If only they could also face the doubts within themselves...

A family of four fractures under the weight of unmet expectations, unexpected tragedy, and uncompromising pride.

Xiao Hong is a shy 29-year-old man who works in an aquarium fish store and lets his overprotective mother boss him around in all aspects of his life. His cousin decides to take him to a seedy hotel where Sister Lele oversees the prostitution business.

After having to quarantine together during COVID-19, a mother and daughter are forced to confront their personal obstacles and relationship tensions.

Security guard Pickle and his trash collector friend Belly Button kill time together in night shifts watching the American-educated boss's dash-cam recordings of his various sexual encounters with women. Against the buddies' will, something horrifying rather than erotic reveals.

On the night of their high school graduation, three delinquents decide to exchange their darkest, most unspeakable secret.

If the law and its enforcement has worked, then the world needs gods no more... When facing the dilemma with no right answer in this world full of ambiguity, Lou I-fang, the Master of the shrine and the Chief of the village will stand out to do justice right. Together with his assistant and fellow lawyers, they team up to bring hope to people whenever crime or unfairness emerge. If only they could also face the doubts within themselves...

At age 12, in the twilight of the Chinese Civil War, GAO Bing-han followed the Nationalist government in their exodus to Taiwan under his mother’s orders. Now, in his 80s and a lawyer, GAO encounters three mothers in his work. The first is HONG, who tolerates her son’s violence. The second is JIANG, an indigenous woman who isn’t accepted by her father-in-law. And the last one is XIE, who seems elegant on the surface but is greatly depressed due to her family problems. In the midst of dealing with the conflicts of these three, GAO can’t help but sigh: “Did the war really end?”

Security guard Pickle and his trash collector friend Belly Button kill time together in night shifts watching the American-educated boss's dash-cam recordings of his various sexual encounters with women. Against the buddies' will, something horrifying rather than erotic reveals.

Security guard Pickle and his trash collector friend Belly Button kill time together in night shifts watching the American-educated boss's dash-cam recordings of his various sexual encounters with women. Against the buddies' will, something horrifying rather than erotic reveals.

Four school buddies — a director, a temp worker, an insurance salesman and a paper craftsman — grapple with unfulfilled dreams amid middle age ennui.

Four school buddies — a director, a temp worker, an insurance salesman and a paper craftsman — grapple with unfulfilled dreams amid middle age ennui.

A Buddha statue, three middle-aged men and a mysterious woman. The unexpected encounter among them creates a story of suspense. Will the Buddha protect everyone of us? or does He choose the right ones at His own will?

A Buddha statue, three middle-aged men and a mysterious woman. The unexpected encounter among them creates a story of suspense. Will the Buddha protect everyone of us? or does He choose the right ones at His own will?

Tuvalu, This defenseless nation of 26 square kilometers will be the first island nation to be submerged by the oceans once the sea level rises due to global warming. The director Huang Hsin-yao left his hometown after the 88 flooding disaster in Taiwan in search of this disappearing island called Tuvalu. While aboard this swaying ship in the Pacific, various fantastic spectacles of Taiwan emerge in the mind of the director… Once out at sea barbecuing, he found under the sea…

This is a documentary on "Tai-ke" male-bonding, and a story about the lost and found of life. The director uses black humor in depicting the lives and encounters of each person through out a period of ten years.

Yonaguni is an island on the far western end of Japan, bordering Taiwan. One day, the people of Yonaguni decided they wanted independence and to establish diplomatic relations with Taiwan. These two islands share similar backgrounds. Both are in the peripheral vision of the world. I came here by boat as a tourist, but rediscovered myself on this strange land.

In August 2009, Typhoon Morakot killed hundreds and caused irreversible damage to Taiwan. On the Alishan Mountains, the rainfall destroyed its forest railway and badly damaged its tourism industry for years. Huang Hsin-yao initially went up the mountain to document the aftermath of the storm. But Huang changed his approach when he claimed he saw many Wu Fengs on the mountain, referencing the Han merchant who, according to folk legends, “civilised” Taiwanese aborigines on Alishan. This scathing documentary asks whether rapid development of the region, be it by deforestation or by exploitation of its natural beauty for tourist dollars, worsened the effects of the typhoon.

No synopsis available yet.

The wetland in Kouhu township, Yunlin County has once been cultivated as farmland but returned to its original state nowadays, The beautiful scenery in the eyes of tourists are nothing but trouble to local residents.....

Since 2009, the filmmaker has spent 12 years documenting the ever-changing times of three townships along the coast of Tainan County, namely Beimen, Jiangjun and Qigu. Through the lenses, human activities are seen closely connected with the surrounding nature, while maintaining its own charm. The film subtly captures a singular way of life and a sense of time suspended in the past, present and future.

No synopsis available yet.

Huang Hsin-yao began studying documentary filmmaking in order to make a difference as an ecological activist. While attending Tainan University of the Arts, Huang made this film as a continuation of a previous documentary about the salt evaporation ponds near Tainan. But instead of filming the ponds once more, Huang turned his camera around to capture the state of the mangrove habitat surrounding the ponds. The result marks an important evolution for Huang as an ecologically-minded documentarian.

A commentary of Huang Hsin-yao´s "Contact Prints of Baileng Canal", explaining the history of the canal and presenting other renowned aqueducts of Japan, Italy, Spain and France.

No synopsis available yet.

Huang Hsin-Yao’s directorial debut on documentary

"Where was he pushing the car toward? I don't know. Maybe, just for the sake of it. Sometimes, making films, I shoot just for the sake of it."