
Directing
Hugo Verlinde
France
Filmmaker and new media artist, Hugo Verlinde develops a visual art practice based on mathematical models. His works are in the form of films and installations. His work is a meditation on space. Using curved lines, Verlinde revisits the figures of the sky: nascent solar system, imaginary constellations or primitive forms of space. The films and the installations echo each other and seem alive. The ensemble creates a cosmic and metaphysical universe conducive to exploration.
Acting credits
Behind the camera
NRLayers of colored matters spread in space. They transform and its movements let us suppose that there is an underlying law that directs the images. Ephese is thus a shape, continually mutating, although its essence remains the same.
Ephèse
2004
NRThe star Altaïr in a new dimension
Horizon Altaïr
2013
NRInvocation to light. The hands probe the surroundings and sink deeper into the abstract space of the projection. They seek contact... In a mixture of pure colors and crystalline sounds, the light responds to the call, imbues the face with clarity and transmits its message.
Bételgeuse
2004
NR"Radical pamphleteer film," Manifesto "can be used as a visual emblem for any avant-garde manifestation. Manifesto is a cry. A cry for finally a cinema freed from all economic, ideological or artistic constraints." (Nicole Brenez, Encyclopédie du court-métrage français, 2004)
Manifeste
2002
NRAldébaran is the first film from a series of works on hybridization: body and light, color and rhythm. The series are transforming and spiritualizing human body by the use of light, or more precisely by the screening of a film directly to the skin. The body is therefore the only screen for the abstract images made from mathematical models. This encounter between body and light produces a particular and creative energy beyond shapes. Lyrical abstraction, mathematical modelisation and sensual exploration of light, this film is the depth perception of the body stridences.
Aldébaran
2000
NRA meeting with an entity of gigantic proportions and multiple faces, ALTAÏR is of heavenly nature and invites us to dive into it. Work-landscape, cosmos to explore, you must have the soul of a geographer to venture into the folds of this universe with uncertain borders.
Altaïr
2004
NRA meditation on the atom. A film carried by the musical universe of Karl Boscovich.
White Electron
2018
NRA film driven by the musical universe of Patrice Kirchhofer.
Altair B
2009
NRLinked to the sun's eruptive activity, waves of particles regularly enter Earth's atmosphere. An intense and invisible shower then crosses the earth and our bodies.
Ondée
2012
No synopsis available yet.
Boucle 1
1998
NRA new vision of the star Altaïr.
Altaïr Akerman
2017
NRAugust 1992. I was working for a whole week in total darkness, in the image-by-image mode of my Super 8 camera. As I perceived an image on the screen, I started imagining what it would be if those images could show their own metamorphosis… But within a single frame, I had the sharp impression of a real contact behind the image itself. As if I could reach the formal and mathematical language of models… The images seemed to be whispering. More movement… more space…I keep developing this laboratory of shapes known as the Dervishes.
Derviches
1992
NRA film carried by the musical world of Jacotte Chollet.
Outer Space
2018
NRLight & hands, movement in the dark.
Géminga
2003
NRErotic film about the Bolex camera.
BOLEX MON AMOUR
2000

