Directing

Tomáš Weinreb

Born

1982-02-14 (44)

Place of birth

Stod, Czechoslovakia [now Czech Republic]

Known for

Directing

Credits

6 titles

Known for

Behind the camera

I, Olga Hepnarova poster
6.6

Olga is a complex young woman desperate to break free from her unfeeling family and social conventions. With her Louise Brooks-like tomboyish looks she drags herself, chain-smoking, from one job to another until she appears to find her niche as a truck driver. Although she has female lovers she does not form a bond with any of them; instead she clashes, time and again, venting herself in wordless emotional outbursts and other behavioural extremes.

I, Olga Hepnarova

2016

I, Olga Hepnarova poster
6.6

Olga is a complex young woman desperate to break free from her unfeeling family and social conventions. With her Louise Brooks-like tomboyish looks she drags herself, chain-smoking, from one job to another until she appears to find her niche as a truck driver. Although she has female lovers she does not form a bond with any of them; instead she clashes, time and again, venting herself in wordless emotional outbursts and other behavioural extremes.

I, Olga Hepnarova

2016

I, Olga Hepnarova poster
6.6

Olga is a complex young woman desperate to break free from her unfeeling family and social conventions. With her Louise Brooks-like tomboyish looks she drags herself, chain-smoking, from one job to another until she appears to find her niche as a truck driver. Although she has female lovers she does not form a bond with any of them; instead she clashes, time and again, venting herself in wordless emotional outbursts and other behavioural extremes.

I, Olga Hepnarova

2016

Nobody Likes Me poster
6.4

Sara has come to terms with her position as a detached observer of other people's lives. She is fascinated when she meets the gallant, graceful, and soft-faced Martin. Gradually, their connection grows, but when Sara wants to take their relationship to a deeper and more physical level, Martin shies away. He is hiding a deep secret. Refusing to accept his unwillingness to open up to her, Sara compels him to expose himself, and when he finally does, it turns out he is intersex, a hermaphrodite. Sara’s love remains strong, but when she unintentionally reveals Martin’s secret to her family, she discovers that her joy at the relationship has blinded her to the reality of how society deals with “freaks.”

Nobody Likes Me

2025

Nobody Likes Me poster
6.4

Sara has come to terms with her position as a detached observer of other people's lives. She is fascinated when she meets the gallant, graceful, and soft-faced Martin. Gradually, their connection grows, but when Sara wants to take their relationship to a deeper and more physical level, Martin shies away. He is hiding a deep secret. Refusing to accept his unwillingness to open up to her, Sara compels him to expose himself, and when he finally does, it turns out he is intersex, a hermaphrodite. Sara’s love remains strong, but when she unintentionally reveals Martin’s secret to her family, she discovers that her joy at the relationship has blinded her to the reality of how society deals with “freaks.”

Nobody Likes Me

2025

Nobody Likes Me poster
6.4

Sara has come to terms with her position as a detached observer of other people's lives. She is fascinated when she meets the gallant, graceful, and soft-faced Martin. Gradually, their connection grows, but when Sara wants to take their relationship to a deeper and more physical level, Martin shies away. He is hiding a deep secret. Refusing to accept his unwillingness to open up to her, Sara compels him to expose himself, and when he finally does, it turns out he is intersex, a hermaphrodite. Sara’s love remains strong, but when she unintentionally reveals Martin’s secret to her family, she discovers that her joy at the relationship has blinded her to the reality of how society deals with “freaks.”

Nobody Likes Me

2025