Keung Chung-Ping

No synopsis available yet.

Taking place in 1941, Love in a Fallen City centers on Pai, a young woman who has been ostracized by her family for divorcing her rich husband. A local match-maker, Mrs. Hsu, takes pity on Pai and decides to bring her to Hong Kong, under the guise of employing her as the Hsu's nanny, but in reality to introduce her to Fan. Pai and Fan seem to hit it off, but Fan's refusal to marry Pai soon sours things. However, as the Japanese begin to invade Hong Kong, the two begin to realize their true feelings for each other.

When a young man ignores a feng shui master’s warning and decides to marry before turning 30, a series of mishaps begins to curse his life.

Joyce Ni (Esprit D'Amour) and Sandy Lam play two sisters who pick pockets for a living, and manage to run afoul of a pair of cops (Leslie Cheung and Billy Lau) after lifting their wallets. However, rather than arresting the two thieves, the cops are taken in by their obvious charms, and with urban, metropolitan Hong Kong as a backdrop, romance seems almost inevitable. But the girls also lifted a precious jade from a vicious hitman, who soon comes looking for his stolen property...

Lau used all his savings to purchase a house from a shady profiteer named Wing. The house had plenty of problems--despite the fact that it wasn't even big enough for a single person--and Lau tried to sue Wing to recover his money, but lost. Lau eventually died of depression because of this ruling, but before he passed, he asked his daughter to get revenge on Wing. It wasn't long before the Lau family was able to use Wing's greedy personality against him and trick him into bankruptcy. But when he discovers what happened to him--and who was responsible--he decides not to take it sitting down...

A gangster turns over a new leaf working as a gardner in a remote island off of Hong Kong. There he falls in love, but is haunted by a past that would not allow him to forget.

No synopsis available yet.

Centered around the seizure of a family's property, police investigate a series of knife murders.

Hong Kong horror drama movie from 1964.

Mrs. Yin was murdered, and the detective suspected that the Yin family was responsible. He ordered his men to stay in the mansion and not leave. However, a series of murders occurred in the mansion, with the Yin family's children being killed one after another, leaving only Yin Zhilan. The detective secretly set a trap to lure out the killer and uncover the truth behind so many murders.

No synopsis available yet.

The Diary of a Husband serves as an illustration for the arrival of the white-collar economy, in which the extended family is replaced by the smaller nuclear family. It is a story about four pals who work at the same office, which, like other white-collar workplaces, has become the men's primary site of life, where livings are made and friendships fostered. Meanwhile, their wives have fostered something of their own—a brigade to catch cheating husbands. Much comedy is then generated by the cat-and-mouse game between the men and the women...The battle line drawn here between the sexes remains for years, to the extent that this very same story has been retold many times in Hong Kong films, including Men Suddenly in Black, the 2003 Pang Ho-cheung film with a similar Chinese title.

A man is haunted by the reappearance of a vanished lover who seems to be living under a new identity. As he uncovers the truth, love and deception collide.

No synopsis available yet.

No synopsis available yet.

Adapted from a popular 'three dime novel' the story revolves around two down-and-out buddies, one streetwise and quick-witted the other naïve and kind-hearted. This oddball duo go through up and downs and eventually get their break in life.

Hong Kong thriller.

No synopsis available yet.

Spring Obsession

Madam Kum is a well-known dance hall girl. She gave birth to her daughter Yin-fan. Kum gave her to some relatives. Nineteen years go by, and Kum accidentally runs into Fan's husband, Man-fai, in Singapore. She tells him everything. Fai is surprised but accepts the truth. They have a talk and agree not to reveal the truth to Fan. However, Fai promises Kum that he will arrange for her to see Fan. Gum starts to see Fan on public occasions. Bing-chiu, who has been chasing after Fan since college, runs into Fai and Kum. He tells Fan about it. Fan goes to Kum to ask her not to destroy her family. Kum is hurt but still does tell her the truth. She decides to returns to Singapore. She goes to Fan's house to see her once more. Fan is having her birthday party. She insults Kum and throws a glass of wine in her face. Fai cannot stand it anymore and tells his wife who Kum really is. Fan feels guilty. All the others are moved by what Kum has suffered and they start to accept her.

A young woman returns home from a funeral and becomes embroiled in murder, missing money, a drug syndicate, a police investigation and a mysterious killer who goes by the name of "Vampire Wolf."

The woman thief Pak Siu-yin was discharged from prison and Inspector Chan has set a trap for Bak to lure the head of the gangster Yim Fong, who used to threaten Pak to commit crime for his gang.

A ghost tale very strongly inspired by Hitchcock's Vertigo.

No synopsis available yet.

A Cantonese factory woman obsessed with a famous Wuxia actor, has her fantasy crushed after discovering he is not the charming and humble person his movies portray him as. - Matthew E Carter

No synopsis available yet.

A Hong Kong version of Rear Window! A novelist witnesses a murder happening through his own window. When the murderer learns the witness is a writer, he plots a plan to drive the writer crazy and lets the police believe that the writer's testament is all but his imagination.

No synopsis available yet.

Married and with a son on the way, Zhang takes shelter in a big old house haunted by a ghostly female vampire.

HK horror film.

Chan Sipui sought refuge with relatives who owned a restaurant in New York. He later entered a relationship with his colleague, A-Heung. Sipui met Wong Yukfan, the laundry shop owner, and was captivated by her business. He devised a plan to marry Yukfan to obtain control of the laundry shop. Furthermore, Sipui aimed to deceive A-Hueng and take her money. He set up a scheme to kill Yukfan and dismember her body. However, Yukfan's daughter discovered the bloodstains and reported the incident to the police, leading to Sipui's arrest and subsequent trial.. Based on a real murder case in 1930s New York Chinatown.

Industrialist Tam Kar-cheung knowingly puts the lives of his workers at risk so as to line his pocket with insurance payments. The chivalrous Bus Money gets into fisticuffs with Tam's chauffeur, Tam Biu, who bears a grudge against the assailant. When Money catches wind of Kar-cheung's vicious plot to set fire to a squatter area to clear the path for a property development project, she moves in and watches vigilantly for signs of arson. Soon, she saves Ah-hau, Biu's girlfriend and a young victim of drug rape, from her suicidal attempt by drowning. Money pursues fragments of clues which lead her to the victim's boss, Taipan Cheung who sucks up to his master Kar-cheung by drawing his prey to her trap. Money then organises squatter residences into fire brigade to guard against arson attacks and exposes Kar-cheung's evil. Realising he has been exploited for his blind loyalty, Biu teams up with Money to dispense justice.

An avid fan of film star Patsy Kar Ling, Tse Sing falls head over heels for his new colleague Cheung Wai-ling who is a spitting image of the star, not knowing that she is the mistress of Manager Chow. When his wife comes to check the new secretary out, Chow lies that she is Tse's wife. When the truth dawns on the eager suitor, he heaps scorn on her. The distressed Cheung becomes suicidal and before taking the fatal pills, opens her heart to Mrs Chow. She is saved in time and, touched by her words, Tse professes his love for her and wins her heart.

Cantonese adaptation of Daphne du Maurier's novel Rebecca.

Ah-gau (Keung Chung-ping) leaves his wife Sou Jing, and son in Macau for Nanyang to join his cousin (Patrick Tse Yin) in search of employment. A series of events propel Ah-gau into high society and he falls in love with a tycoon’s daughter, Ming-zyu, (Patsy Kar Ling). Abandoned by Ah-gau, Sou Jing suffers in utter poverty and journeys to Singapore in search of her husband.

Reporter Yu Mong-yuen is recovering from a leg injury in his fiancee Man-wah's apartment. Bored, he looks out the rear window and observes the life of the neighbouring building. Among the tenants are a sugar-daddy and his mistress, a middle-aged man wants to marry a young girl, but she is in love with his son. Finally, she hatches a plot and makes the man agree to her marrying his son ; a sly fortune-teller ; a lively gym, a rich widow quarrels with the trainer of a gymnasium because his dog has bitten her cat ; and an opera school, a woman signs, leaning on the balcony, and a man tries to strangle her. In fact they are rehearsing an opera…… One evening, Wah is on the night shift, and Yuen watches the opera troupe rehearse to the end. Under the influence of drugs, Yu mistakenly believes that a divorced man has murdered a taxi dancer. He alerts the police, but the whole thing is nothing more than a misunderstanding.

No synopsis available yet.

Ah Hing is made pregnant by her master Fan Chun-kit. Fan soon leaves for his studies overseas while Ah Hing suffers gross prosecution and is reduced to becoming a prostitute. In a momentary slip of a struggle, Ah Hing commits manslaughter. Now a qualified lawyer, Fan acquits Ah Hing of the charge, and intends to marry her to redeem his negligence in the past. Ah Hing, however, is determined to pursue an independent life.

Comedy from Hong Kong directed by Ng Wui.

Young shoeshine boy Shing is a mischievous yet kind-hearted child. When he notices that his neighbour, the unemployed Fung, is struggling to make ends meet with a pregnant wife about to give birth, he secretly delivers food to help them. Out of desperation, Fung takes a risk and attempts to steal from their neighbour, dancer Lily, only to stumble upon a crime scene—Lily has just been murdered by the ruthless villain Robert. Fung immediately becomes the primary suspect of the case. Having witnessed everything, Shing reports the truth to the police inspector, but is ignored due to his reputation for lying. Fung flees to the outskirts of the city, where Shing continues to provide him with food in secret. Wracked by guilt and fear, Robert, seeks to silence both Shing and Fung for good, but fortunately, Shing’s quick thinking allows them to escape. His actions raise suspicion from the inspector, leading to a tense battle of wits and strength between Shing, Fung, Robert, and the police.

This tale of familial warfare and sacrifice takes place in hard-pressed Shanghai at the end of the 1940s. Hu Zhiqing can barely support his wife and children, and his situation is worsened by the unexpected arrival of his mother, brother and sister-in-law. When he is fired by his unscrupulous boss, the whole family becomes embroiled in one emotional/economic struggle after another.

Cold Nights features great performances by both Pak Yin as a tough minded “new woman”, Shusheng, and Ng Cho-fan as her weak husband, Wang Wenxuan, whose spirits have been crushed by the Sino-Japanese war.

Crime of Passion in the Mansion

Ngok Ming is an idealistic young man, passionate about promoting and developing education in Malaya. He approaches a wealthy Chinese businessman to raise funds for building schools and meets the young heiress, Cho-lin. After a whirlwind romance, they get married. However, Ngok Ming struggles to balance his passion for education and performing his duty of managing the family business. As conflicts between the characters escalate, Ngok Ming and Cho-lin make decisions that change their lives forever.

Chan Sai-wah abides by his late father's word and marries the wealthy Yam Suk-kuen. They have a son, Kwok-leung. Though Wah is manager of the hotel owned by his father-in-law, Kuen is not a good wife. For all the years of their marriage, Wah has never been happy. Attracted to the humble and honest Carrie Mui, Wah decides to leave his domineering wife Kuen, but is stopped by his father-in-law. The lovers set off to Macau for a new start. Their life has become increasingly miserable under the pressure from Yam's family. When Wah leaves to seek help from his son in Hong Kong, Carrie decides she should leave so that Wah can go without feeling any guilt or burden. On the other hand, Wah is too ashamed to face his son, and returns to Macau. He lives his life in misery. Years pass, the lovers meet again. Wah is reduced to begging in the streets while Carrie becomes an opera diva.

After inheriting his father's estate, Cheung Ka-bo leads a life of debauchery after getting know Blackie Yuen, who profits at others' expense, and Yee-Wah, who working at a night club. As the family wealth diminishes, he always squabbles with his wife and finally separates from her. She returns a diamond bracelet, kept by Uncle Chan, to her mother-in-law. Bo's mother hides the bracelet in a chair. Later, Wah resides at Bo's home. To flatter Wah, Bo wants to get the bracelet by any means from his mother and give it to Wah. Later, Bo's mother falls ill. In the hospital, she tells Bo of the bracelet's whereabouts but the chair has already been sold to Uncle Chan by Wah. Bo, Wah and Yuen stealthily enter Chan's home to get the chair, but have a big fight when they try to take the bracelet. Knowing that Bo has huge debts, Wah intends to leave him after getting the bracelet. Wah exposes her gluttonous self in her pursuit of the treasure. Bo learns his lesson and returns to his wife.

Ah Chiu is Getting Married

Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.

HK drama film.

A Chinese man, Yip Ching (Patrick Tse Yin) and a Malay girl Solina (Molly Wu Kar) are two young people very much in love. However, Yip Ching’s mother disapproves of this inter-racial relationship. When Yip Ching plans to visit his aunt and cousins in Hong Kong, Solina’s insecurity causes her to threaten him with a curse. Yip Ching proceeds with his trip to Hong Kong, but Solina’s curse appears to come true in a series of unfolding tragedies.

Mr. Wong and his students take shelter in a house during a storm, where the caretaker, Uncle Fook, tells a ghost story. Long ago, cousins Bai Yunfeng and Bai Deqing rescued a singer, Qin Chuxiang. Both loved her, but Chuxiang only loved Yunfeng. Deqing, jealous, convinced Yunfeng’s father, Bai Yinzong, to break up the couple by arranging Yunfeng’s marriage to a cousin. However, Chuxiang was pregnant, so the Emperor agreed to their marriage. On the wedding day, Chuxiang’s mother revealed that she and Yunfeng were siblings. Deqing then bribed locals to accuse them of incest, and they were nearly drowned. Mr. Wong’s group realizes Yunfeng and Chuxiang survived and had pretended to be ghosts for years. Yinzong exposes Deqing’s plot, and Yunfeng and Chuxiang finally marry.

Kam Fan and Wong Ching-ping have a peaceful married life, until Ping's mother is serious ill. They desperately need a large amount of money. Fan tries in vain to raise money, he thus intends to use their daughter's school fees for the medical fees. Ping is against it and works as a song girl to earn money for her mother's medical expense. Her grudging husband Kam Fan uses a bed sheet to partition the bedroom into halves and even demands a divorce. After some mediation by their lawyer and neighbours, Wong finds a teaching job at an orphanage, but Fan still opposes it. Ping is so angry that she moves to live in the dormitory of the orphanage. Fan has to look after their daughter alone, making everything a mess. Later, their daughter catches a cold and has a high fever after an outing with Fan. Ping cannot set her mind at rest and goes home to take care of her daughter. The loving couple reconciles, for the sake of their daughter.

HK horror film.