Park Nam-ok

Byung-tae joins the army after being dumped by Young-ja. With two months until discharge, Young-ja comes to visit him. She sends him a letter saying she'll never forget him and that she was marrying Ju-hyuk, a doctor.

Lee Shin-ja is a young widow, subject to the prejudices against her position in society. Trying to provide for her daughter as well as find love, Lee becomes entangled in the lives of her late husband's friend, his wife, and her lover.

Keeping the Vision Alive is a documentary film containing the voices and images of Korean women filmmakers-both senior filmmakers and also the peers of director Yim. The film is Yim’s homage to both contemporary Korean women filmmakers, written by a filmmaker of the same age, and also to the history of women filmmakers in Korea. Yim does not reveal her own voice or opinion and lets the voices and images of the filmmakers speak for themselves through a non-interventionist camera. From the pioneers, Park Nam-ok, and Hwang Hye-mi, who directed First Experience in 70’s, to recent filmmakers, Byun Young-joo and Jang Hee-sun, the film traces their experiences, troubles, concerns and thoughts as women and women filmmakers. Keeping the Vision Alive calmly and enthusiastically encourages and celebrates the struggles, the resistance and the survival of women filmmakers in a conservative Korean film industry and a male-dominated and sexist social system. (Kwon Eun-sun)

Lee Shin-ja is a young widow, subject to the prejudices against her position in society. Trying to provide for her daughter as well as find love, Lee becomes entangled in the lives of her late husband's friend, his wife, and her lover.