Lai Man

Unicorn travels to a village troubled by gangsters in search of revenge for the murder of his parents years before. The task is made more complicated when he befriends a middle-aged woman and her son who begin to admire and depend on him.

Husker is a student of the Shaolin monks, learning kung fu so that he can avenge his uncle who was murdered by the Manchus who control the province. He leaves his training early, desperate to teach the killers a lesson, and teams up with a martial artist monk who is teaching a group of factory workers how to defend themselves. When the Manchus strike again, Husker and his Buddhist pal decide it's time to even the score.

Lo Lieh stars as Sima Jun, a killer working for a corrupt lord whose orders are followed without question or hesitation. When the lord suffers from a life-threatening boil on his back, he is told by the Imperial doctor that an herb called "Longevity Rattan" offers the only cure and is grown in a remote village by an herbalist named Tan. Lo is sent on a mission to get the herb and bring it back before it's too late.

An honest, diligent and helpful taxi driver Chen Kuang (David Chiang) gets involved in a bank robbery, and the police mistakes him as a robber. He together with a driver Tu Fa (Wang Chung) strives to gather evidence. After some twists and turns, the two finally are able to help the police in bringing the culprits to justice.

Hong Kong drama from 1977

shaw production

In 1974, John Lo Mar co-directed The Crazy Bumpkins, a new variation on the time-tested, beloved Cantonese comedy "Country Bumpkin" tradition. That proved such a success that a sequel, Return Of The Crazy Bumpkins, soon appeared. Now, the third time's the charm, as John Lo Mar gets to both write and direct the third slapstick-filled installment, once again starring Yeh Feng and Wang Sha as the hapless and hilarious yokel Ah Niu and his crafty city-slicker Uncle Chou.

Ah Niu, swindled of his fortune by cunning crooks, hits rock bottom. A fateful encounter with devious thugs reunites him with Uncle Chou, prompting their escape to the vibrant city of Singapore. Their journey is riddled with absurd mishaps, including a comical episode with a baby and a frantic pursuit by the relentless thugs. This final instalment of the series offers a colourful, wide-ranging tour of Singapore in the mid-1970s, brimming with slapstick humour and heartwarming moments.

hong kong film

Mysterious songstress Fang Biyu is loved by two brothers, Qiwei and Qijun. After freeing herself from the clutches of gangsters, she gives her heart to Qiwei. Tragedy comes knocking on the door when one of the gangsters comes out of prison, and Qiwei dies in a car accident. Blamed for her husband's death, Biyu is forced to go back to singing to make a living, but hopes to reunite with her son and return to the family one day.

A young scholar spends the night in a creepy temple that is said to be haunted. He doesn't believe in the rumors, but after running into a Taoist swordsman, he meets a beautiful lady ghost.

Ling Bor plays Wen Fei E who is both an excellent academic as well as martial arts expert. Since her childhood days fond of dressing up as a boy, she becomes a village scholar sharing classes with Tu Zi Zheng (Chin Feng) and Wei Zhun Zhi (Ho Fan). When Fei E's innocent father is framed and sent to prison, she rushes to his rescue saving Jing Fu Quan (Kam Fie) who is in the hands of robbers along the way. Mistaking Fei E to be a noble hero, Fu Quan has no greater wish than to get married to her savior...

Bat Girl (Josephine Siao) returns from Singapore to Hong Kong as the singer Barbara to investigate her dad, a trapeze artist’s death. She is orphaned. She stays with her aunt. Her cousin is Sze Wai (Lui Kei), a pulp fiction writer of the superhero, Bat Girl. Encountering injustice, Bat Girl confronts Sze to interrogate about the whereabouts of Wu Wan-Lung (Sek Kin). Bat Girl unites with her friend, Chan Kwong-ying (Lydia Shum). Sze tracks down Bat Girl and is involved in a fight with Lung's marksmen in a nightclub. A private detective, James Bond (Cheng Kwun-Min) helps Lung find Bat Girl to no avail, as she appears in guises. Bat Girl eavesdrops on Lung and realises he was her father's murderer. She revenges on Lung, and a strange female creature (Yung Yuk-yi) appears as the Lung's house's owner. The creature finds that Bat Girl is her daughter. She wrestles with Lung and they are both burnt to death. At last, Sze finds out that his cousin is Bat Girl and they begin a romance.

Nurse Leng Shuxian is forced by family circumstances to marry Long Yusheng (King Hu), a grossly disfigured Quasimodo with a heart of gold. Shuxian tries but is unable to accept his deformity and they remain a couple in name only. With the appearance of Yusheng's cousin, she has to make a choice between personal happiness and family duty. From the start, Loh's character and drove the action, evoking a great intensity of emotions along the way: suffering, resignation and loneliness. Loh was lauded as the "Queen of Tragedy" after her heart-wrenching portrayal in this film. Winner of two Golden Harvest Awards – for best screenplay and best black-and-white cinematography – at the 8th Asian Film Festival in 1961.

Yuk Yin's father dies and her mother remarries to settle the debts. Yuk Yin lives with Auntie Wong. From then on, Chi Hung, Auntie Wong's son and Yuk Yin live and play together. But the Wongs move away. Yuk Yin stays with her mother. Her stepfather is mercenary. When Yuk Yin grows up, he pushes her to get married to get money. Considering her daughter's future, Yuk Yin's mother sends her away. Yuk Yin works in a restaurant. When she learns that her mother is ill, she marries a dying rich young man to get money for her mother's treatment. After her mother's death, Yuk Yin gets married immediately, but her husband dies on the wedding night. Her mother-in-law sees this as unauspicious and expels Yuk Yin. Later, Yuk Yin chances upon Chi Hung. They are still in love. They married and have a son Kwok Wah. But Chi Hung dies. Yuk Yin works as a dance girl to support their living. Kwok Wah grows up and cannot accept his mother's job. But soon he understands that she is respectable.

Sword of Emei is a Hong Kong Martial Arts movie starring Sammo Hung

Madam Kum is a well-known dance hall girl. She gave birth to her daughter Yin-fan. Kum gave her to some relatives. Nineteen years go by, and Kum accidentally runs into Fan's husband, Man-fai, in Singapore. She tells him everything. Fai is surprised but accepts the truth. They have a talk and agree not to reveal the truth to Fan. However, Fai promises Kum that he will arrange for her to see Fan. Gum starts to see Fan on public occasions. Bing-chiu, who has been chasing after Fan since college, runs into Fai and Kum. He tells Fan about it. Fan goes to Kum to ask her not to destroy her family. Kum is hurt but still does tell her the truth. She decides to returns to Singapore. She goes to Fan's house to see her once more. Fan is having her birthday party. She insults Kum and throws a glass of wine in her face. Fai cannot stand it anymore and tells his wife who Kum really is. Fan feels guilty. All the others are moved by what Kum has suffered and they start to accept her.

The Ching Dynasty novel The Dream of The Red Chamber is not only the most widely read, but also the most filmed book in Chinese history. The sprawling love story has proven a challenge to many filmmakers, but this version is acclaimed as the most successful. A sumptuous feature which took three years of planning and another for production, it was a hugely popular and critical hit which still stands out as a classic of both 18th century literature and 1960s moviemaking.

'Ghostly Mother Blue Flower' Chiu Choi-wan has abducted a group of virgin boys and girls for the nourishment of her mind and soul. Alarmed by the abduction, Yiu But-fan, Kau Suet-mui and Hung Tin-bo make a night raid on the Hanshan Temple to release the children and set a torch to the bandit lair. Fuming over the arson, Chiu casts a spell on Kau, who kills the father of Chuk Yuk-heung in her cross-dressing persona as Yiu. Confronted by the angry Chuk clansmen at the Chuk Fortress, Yiu tries futilely to defend his innocence. Believing that Chiu has masterminded the framed murder, the fugitive infiltrates the White-bone Yinyang Cave where he finds himself attacked by Kau and Chiu. Demon-vanquishing Magic Monk, Chuk and Hung helped Yiu wrestle Chiu, who fled. Kau is nursed back to health by the monk and joins the fellowship in their quest to annihilate the demon. With all her venomous needles forfeited to the monk, Chiu gets her comeuppance, slain by Chuk's flying dagger.

Hui Leung goes to Hong Kong from Macau

In this 1960s family comedy though, marriage is attached with a string of feudal obligations. Shun (Cheung Ying-choi) and Sum (Nam Hung) are happily married with a son. Shun's childless uncle from the US proposes to take away their son as his own and, when the couple refuse, demands that Shun marry a second wife to bear him an offspring. The couple in distress team up with their naughty friends in playing a game of bluff, which sets off a series of whimsical and side-splitting sequences. Director Chor Yuen tied the knot with actress Nam Hung three years after the film's release, leading to one of the most celebrated marriages in Hong Kong cinema.

A Hong Kong Jane Bond film starring Josephine Siao.

Family Doctrine is a drama film directed by Chu Kei and stars Wu Fung, Man Lan, Pearl Au Ka-Wai, Ma Siu-Ying, and Kitty Ting Hao.

No synopsis available yet.

A Shaw Brothers comedy

No synopsis available yet.

Love Forever

HK mystery film.

60s shaw crime film

To Catch a Murderer

The film follows three sisters’ ups and downs that begin with this youngest one’s jealousy. In the film, Pearl Au Kar-wai stars as a very charming actress, who is loved by every person around her. The little sister envies her sibling’s achievements but what she does impulsively has caused permanent harm to the family. Besides Siao and Au, Woo Fung, still an active TV actor today, took up the role of Au’s once boyfriend, and Fanny Fan Lai and Roy Chiao, well-known for their roles in Mandarin films, took a bold step to partake in this Cantonese film. Director Chu Kea, best known for his period dramas, turned to a contemporary-set film this time, and successfully delivered the film’s sense of modernity, probably with help from his co-directors Ho Hoi-ki and Chu Yat-hung, who was his sister. The opening scene of an orchestra performance even reminds the audience of Hollywood movies.

HK horror film.

Tang Wan-tung, the son of a Southeast Asian Sultan is a student in Hong Kong. Only Uncle Mui, his guardian, knows his identity. Tang is known as "student prince". He organises an embassy variety show. Tang invites Lai Tsi-king, who has a lovely voice, to perform in it, but it ruins her chance to study music abroad. Lai’s parents want her to marry Tung Fook-si, the son of a merchant. Lai asks Tang to act for her parents, like a prince courting her. Her parents are convinced, but Tung is not fooled. Tang smuggles Lai out to perform in the embassy. Lai's performance earns her a chance to study overseas, but her parents will not support her. Tang borrows money from his father, but is refused. He pawns his father’s ring to help Lai pay the tuition. Tung takes his father's ring and sells it. Tung's father alerts the police. The rings turn out to be a pair. The police think Tang stole the diamond ring, but Mui tells the truth. Tung is arrested and Tang and Lai have a happy ending.

He Shaoping is a studious factory worker who falls in love with her teacher at her evening classes.

Yiu But-fan marries on the day his father Yan-kit retires as a distinguished swordsman when Yan-kit's nemesis 'Ghostly Mother Blue Flower' Chiu Choi-wan and her foster son Lai Chun-wah gatecrash the party, striking dead the elder and But-fan's wife with the White-bone Soul-thrashing needles. Having pledged his alliance to the anguished son, Taoist Tranquil of Emei vows to eradicate the menace at Mid-Autumn Festival when his junior disciple Kau Suet-mui is challenged to a duel with Chiu. Kau's fellow disciples Hung Tin-bo and Chuk Yuk-heung follow the orders of their master to roam the martial world and tumble into a bandit lair. Extricated from danger by the Taoist, the duo join hands with the passer-by Yiu to thwart Lai's assault on Kau by sorcery, again aided by the Taoist. Yiu, Kau and her peers head back to the Kau Fortress where a martial contest is being held to select a prospective groom for the daughter. Kau overwhelms Lai in the ring but concedes defeat to Chiu.

The creative person torn between ideals and reality is one of Chor Yuen's favourite characters in his 1960s films. Another favourite subject is the rose, not only featured in the title of several films but is also the name of the production company he formed with his future wife, Nam Hung, who also stars in most of its productions. Rose in Tears is in fact the company's inaugural project. The story features two painters, one famous and the other struggling but both infatuated with the same delicate rose of a woman, negotiating their ways through art, commerce and love. With this heart-tugging story, Chor finds a vehicle for his baroque impulses, relishing in lavish images and over-the-top emotions.

Family Doctrine is a drama film directed by Chu Kei and stars Wu Fung, Man Lan, Pearl Au Ka-Wai, Ma Siu-Ying, and Kitty Ting Hao.

Hong Kong comedy starring Connie Chan Po-chu

Lee Kei-hau is happily married with a son. His wife Wong Tai-chu, who has been complaining of discomfort lately, goes to see a doctor where her friend Wong Mau works as an assistant. Wong mixes up her report with that of a cancer patient. Believing her days are numbered, Tai-chu discusses with her mother to choose a second wife for Lee and finds the nurse So Lin-yung, Mau's girlfriend. Mau feels obligated to adhere to her request to hire So as family nurse. Lee urges his wife to make regular exercise a habit to improve her health but when his advice falls on deaf ears, he spurs her to action by dating the nurse. Infuriated by his wife's unexpected exhilaration, Lee accuses her of having an affair with Mau. Tai-chu retaliates by displaying great affection towards a man, her girlfriend Judy in disguise. Lee chases after the beau relentlessly and is told the truth by Judy. Mau's blunder is patched up with a smile, for his lover So, and for the reconciled couple Tai-chu and Lee.

Hong Kong thriller.

Ye Hui and Jiang Man were originally a loving couple. One time Hui received a 1000 dollar bonus, and his colleague Zhu Ge-Kong paid a plan to hide the bonus in the shoes and prepared to spend it on his own. After Man found out, he took the money away, and the two quarreled about it. , Hui asked for a divorce in anger, but he was not allowed to move away, so he only hung a tent in the bedroom as the "Chu River and Han Jie". After that, Huichang fought with his wife, even pretending to have brain cancer, and tricked Man into taking care of him. , Unexpectedly, it was seen through by Man again. Manager Hong of Hui Company and Manager Mei of Man Company reunited, and the two companies merged together, and Man promoted the director, making it difficult for Hui and Kong. After the manager of Man Demei persuaded him, he witnessed the affection of others’ husbands and wives. Deeply ashamed, reconciliation with Hui is as good as ever.

No synopsis available yet.

Mona Lam, who works for a swindling syndicate under duress, scours a nightclub for her new prey and finds the rich heir Cheng Siu-chuen. Struggling to find true bliss, the lovers gain the blessing of Lam's second uncle. On the eve of Cheng's father's birthday banquet, Lam is pressured to strike again under the watchful eye of Lucy sent by the man who's pulling the strings on the marionette behind the scenes who has threatened to kill Cheng. The quick-witted woman aborts the operation, claiming to have spotted her previous victims from amongst the guests. Her confession gains Cheng's understanding, but not his father's. The ringleader brings the liaison to an end by blackmailing the father and putting Lam under house arrest. Helping the girl flee, Second Uncle is killed in the commotion. The police act on the father's tip-off and bust the gang, clearing the way for the lovers to tie the knot.

Liang Meilan sneaked into Zhou Zhigang's home and abducted his daughter Liang Meifen, pretending to be her and waiting for an opportunity to regain the family heirloom's Night Pearl. It turns out that Meifen and Meilan are twin sisters. Lan's mother was insulted by Zhigang eighteen years ago, and Zhigang even killed her husband and took away his family property. After many risks, Meilan finally succeeded in seizing the treasure, and Detective Li Haiming also found out everything.

No synopsis available yet.

Having lost her mother, young girl Bobo (Fung Bo-bo) lives with her honest but incapable father until her stepmother and a wizard conspires to kill her. While escaping, she picks up a magic cup. With the help of the powerful genie in the cup, Bobo embarks on a fantastic adventure featuring giants, magic and treasures.

The blind Yip Man-chiu was abandoned at birth. Following the death of his foster parents, the boy is sold by his uncle Ah Sam to a blind Taoist priest, an abusive man. Running away from home, Yip is hit by a car and sent to a school for the blind by the social security workers. His talents impress the musician Siu Kwong and wins him a place in a music school for the blind. There he is joined by fellow students Lung Kwok-kei, a runaway child with an abusive stepmother, Chow Kuen, an abandoned child found on a train, and Cheung Kin-ching, an avid music lover sent to the school by her loving well-to-do father. The four children blossom into accomplished musicians under the tutelage of Siu and his wife and together with the less fortunate others, form an orchestra which earns a reputation for excellence.

When the village is reportedly terrorized by a ghost of the mad woman, the superstitious great-grandfather refuses modern approach and insists to rely of witchcraft to solve the problems of the village, ensuing tragedy after tragedy.

Reporter Yu Mong-yuen is recovering from a leg injury in his fiancee Man-wah's apartment. Bored, he looks out the rear window and observes the life of the neighbouring building. Among the tenants are a sugar-daddy and his mistress, a middle-aged man wants to marry a young girl, but she is in love with his son. Finally, she hatches a plot and makes the man agree to her marrying his son ; a sly fortune-teller ; a lively gym, a rich widow quarrels with the trainer of a gymnasium because his dog has bitten her cat ; and an opera school, a woman signs, leaning on the balcony, and a man tries to strangle her. In fact they are rehearsing an opera…… One evening, Wah is on the night shift, and Yuen watches the opera troupe rehearse to the end. Under the influence of drugs, Yu mistakenly believes that a divorced man has murdered a taxi dancer. He alerts the police, but the whole thing is nothing more than a misunderstanding.

The three heroines, Wong Ang, Wu Nga, and Heung At expose a murder case involving three dead bodies found in an old temple. Unbeknown to the trio, they've fallen in a trap laid by gangster Hui Pui-shing, who desires to avenge his brother's death by eliminating the women. With the cooperation of Hui's righteous subordinate, the police arrest Hui for smuggling tobacco and seizes their forged banknotes.

No synopsis available yet.

Rich heiress Man Yu-sau disguises as a flower peddler in search of a genuine lover; her poor cousin Man Bik poses as a rich heiress to ensnare a husband. The two fall in love with the Wu brothers Lap-ming and Lap-tak respectively. The Wu matriarch despises Yu-sau for her humble background. However, Lap-ming elopes to marry her while Lap-tak marries Bik. The disguises are duly exposed, to the mother's embarrassment.

Back in 1959, air hostess was considered one of the most glamorous and privileged occupations for young girls with a dream. This first colour production of MP & GI details the ins and outs of the profession and takes the three lead actresses, Ge Lan (Grace Chang), Julia Ye Feng and Dolly Su Feng through a series of tough training. After their graduation, the film then brings them, and the audience, to exotic places like Bangkok, Singapore and Taiwan.

Wong Fei-Hung and the Lantern Festival Disturbance is a 1956 Wong Fei-Hung movie directed by Wu Pang.

Cold Nights features great performances by both Pak Yin as a tough minded “new woman”, Shusheng, and Ng Cho-fan as her weak husband, Wang Wenxuan, whose spirits have been crushed by the Sino-Japanese war.

Vagabond singer Ali is embroiled in a dispute over love and is compelled to return to his own country. Ali is mistaken for the future queen's consort and chances to meet her majesty Law Yee. Law falls head over heels for Ali and they get married not long after. However, Ali finds royal formalities unbearable and decides to run away from the palace. Disregarding all rules, Law follows her man to wherever he goes.

The Talking Bird (能言鳥) is a 1959 Hong Kong musical fantasy film directed by Bong Luk. The film was produced by Shaw Brothers and is based on the screenplay by Tin Chi Ng.

Ah Hing is made pregnant by her master Fan Chun-kit. Fan soon leaves for his studies overseas while Ah Hing suffers gross prosecution and is reduced to becoming a prostitute. In a momentary slip of a struggle, Ah Hing commits manslaughter. Now a qualified lawyer, Fan acquits Ah Hing of the charge, and intends to marry her to redeem his negligence in the past. Ah Hing, however, is determined to pursue an independent life.

The Missing Cinderella

An opera troupe has to dissolve in view of the poor economy. Comedian star Sang Kwai-lei loses his job and he has no alternative but to play the lion character in the opera troupe of his former junior apprentice Chan Hau and pawn his stage costume. He aims at earning enough money to support the final year's secondary school studies of his elder son Chi-kuen. Kuen however refuses to continue his studies, seeing that his father has to put aside his dignity to earn money and his mother is worried. Lei is enraged and uses the money to support his younger son Chi-wai's studies. Again, Lei loses his job and he resorts to giving street performances, his wife takes up sowing work in her spare time and she dies after a long illness. Kuen works to support himself through school, but Wai is less fortunate, he is forced to enrol in an opera troupe as an apprentice. Years later, the dying father joyfully embraces Chi-kuen's return from his studies.