Directing
Huang Ya-Li
Place of birth
Isola di Formosa, Taiwan
Known for
Directing
Credits
12 titles
HUANG Ya-li is an independent filmmaker in Taiwan, who is interested in the linkage and extension between images and sounds. In recent years, he has been involved in documentaries concerning Taiwan during the Japanese colonial period, hoping to explore the possibility of interpreting reality in the form of documentaries through historical research and examination, and to reflect on the relationship between Taiwan, Asia, and the world. His experimental works include In Light (2003), The Pursuit of What Was (2008), and The Unnamed (2010). Le Moulin (2015) is his first feature documentary.
Known for
2.0No synopsis available yet.
Let Go for Love
2014
5.6Poetry, literature, painting and old film clips converge in this lyrical, unusually designed film essay about Le Moulin, the Taiwanese poets’ collective which protested in the 1930s against the cultural superiority of the Japanese occupier and the domination of realism in poetry.
Le Moulin
2017
NRBeautiful University is a short comedy in two parts starring Shu Qi.
Beautiful University
2012
7.0How do those within the memories show themselves to us?
The Pursuit of What Was
2009
8.0This film is constructed upon the visual poetry between what you hear and see, and a sensual fluidity that is not based on the cause and effect relationship. It casts away the practicalities and the functionalities commonly defined in real-world objects by returning things to their raw state, and guiding the viewer’s awareness to the finer details, while intertwining layers of poetic imagery.
The Unnamed
2010
5.0A sweet potato, on the way back...
The Return
2012
Film credits
Behind the camera
5.6Poetry, literature, painting and old film clips converge in this lyrical, unusually designed film essay about Le Moulin, the Taiwanese poets’ collective which protested in the 1930s against the cultural superiority of the Japanese occupier and the domination of realism in poetry.
Le Moulin
2017
5.6Poetry, literature, painting and old film clips converge in this lyrical, unusually designed film essay about Le Moulin, the Taiwanese poets’ collective which protested in the 1930s against the cultural superiority of the Japanese occupier and the domination of realism in poetry.
Le Moulin
2017
5.6Poetry, literature, painting and old film clips converge in this lyrical, unusually designed film essay about Le Moulin, the Taiwanese poets’ collective which protested in the 1930s against the cultural superiority of the Japanese occupier and the domination of realism in poetry.
Le Moulin
2017
7.0How do those within the memories show themselves to us?
The Pursuit of What Was
2009
7.0How do those within the memories show themselves to us?
The Pursuit of What Was
2009
8.0This film is constructed upon the visual poetry between what you hear and see, and a sensual fluidity that is not based on the cause and effect relationship. It casts away the practicalities and the functionalities commonly defined in real-world objects by returning things to their raw state, and guiding the viewer’s awareness to the finer details, while intertwining layers of poetic imagery.
The Unnamed
2010
8.0This film is constructed upon the visual poetry between what you hear and see, and a sensual fluidity that is not based on the cause and effect relationship. It casts away the practicalities and the functionalities commonly defined in real-world objects by returning things to their raw state, and guiding the viewer’s awareness to the finer details, while intertwining layers of poetic imagery.
The Unnamed
2010
5.0A sweet potato, on the way back...
The Return
2012
NRThe second film in Huang Ya-Li's Sweet Potato trilogy.
The Unnamed II
2012
Huang Ya-Li debut short film; premiered at the 40th Golden Horse Awards.
In Light
2003