Nigel Lowery

In a lonely palace lives Prince Azor who has been transformed by a vengeful fairy into a beastlike form. When a foreign merchant disturbs the palace peace, the creature-occupant demands a human sacrifice as punishment. Zemira, the merchant’s daughter, is ready to give her life but soon discovers Azor's beastly form hides an altogether different soul. Will love save the day?

Live from Munich, October 2003. A husband laments the death of his wife. He follows her to the underworld and finds her there. But he is forbidden to look at her. He does it anyway! Has he now lost her forever? Or will the gods' hearts be moved by this loving, "human" glance? In 1762, Gluck put the quietus on the artificiality of baroque opera with this work - from then on the human element took center stage.

In a lonely palace lives Prince Azor who has been transformed by a vengeful fairy into a beastlike form. When a foreign merchant disturbs the palace peace, the creature-occupant demands a human sacrifice as punishment. Zemira, the merchant’s daughter, is ready to give her life but soon discovers Azor's beastly form hides an altogether different soul. Will love save the day?

Live from Munich, October 2003. A husband laments the death of his wife. He follows her to the underworld and finds her there. But he is forbidden to look at her. He does it anyway! Has he now lost her forever? Or will the gods' hearts be moved by this loving, "human" glance? In 1762, Gluck put the quietus on the artificiality of baroque opera with this work - from then on the human element took center stage.