Vytautas Katkus

A hot summer day. The cherry-tree branches are full of ripe berries, swaying from the wind and weight. A recently retired father invites his son to help him with the cherry picking in the garden. The father is not in a rush, as he now wants to spend more time with his son, leaving the cherries in the background. Working together and staying silent, they both realize how much time they’ve lost during those 30 years. The cherries bring the two men back to their first memories and let them experience them longer, as if to start all over again.

End of summer. Danielius (in mid 30s) makes a return to his hometown to sell his parents' flat. Having nowhere to rush, he reconnects with people and the town that's no longer his. He is confronted with a quiet sense of loneliness.

End of summer. Danielius (in mid 30s) makes a return to his hometown to sell his parents' flat. Having nowhere to rush, he reconnects with people and the town that's no longer his. He is confronted with a quiet sense of loneliness.

A grown-up son goes on a countryside trip with his ageing parents in the hopes of reigniting the relationship, but there is nothing left to reignite. This story of familial dysfunction is set against the picturesque backdrop of a dacha community (instantly recognisable to every post-Soviet native), rendered by Vytautas Katkas with irony and a rare sympathy for his hapless subjects.

A grown-up son goes on a countryside trip with his ageing parents in the hopes of reigniting the relationship, but there is nothing left to reignite. This story of familial dysfunction is set against the picturesque backdrop of a dacha community (instantly recognisable to every post-Soviet native), rendered by Vytautas Katkas with irony and a rare sympathy for his hapless subjects.

It is a gentle sense story about floor scraping and friends that just have moved in together.

It is a gentle sense story about floor scraping and friends that just have moved in together.

Greta, a young woman, returns to Lithuania from abroad to find that her mother turned her room into a hair salon. While thinking of what to do next, Greta sees a TV episode on igloos and decides that the best course of action is to build one outside her mother’s apartment building and live in it. Greta’s igloo becomes the main issue of the neighbourhood – not because it causes them any inconvenience, but simply because it annoys them.

Greta, a young woman, returns to Lithuania from abroad to find that her mother turned her room into a hair salon. While thinking of what to do next, Greta sees a TV episode on igloos and decides that the best course of action is to build one outside her mother’s apartment building and live in it. Greta’s igloo becomes the main issue of the neighbourhood – not because it causes them any inconvenience, but simply because it annoys them.

A hot summer day. The cherry-tree branches are full of ripe berries, swaying from the wind and weight. A recently retired father invites his son to help him with the cherry picking in the garden. The father is not in a rush, as he now wants to spend more time with his son, leaving the cherries in the background. Working together and staying silent, they both realize how much time they’ve lost during those 30 years. The cherries bring the two men back to their first memories and let them experience them longer, as if to start all over again.

A hot summer day. The cherry-tree branches are full of ripe berries, swaying from the wind and weight. A recently retired father invites his son to help him with the cherry picking in the garden. The father is not in a rush, as he now wants to spend more time with his son, leaving the cherries in the background. Working together and staying silent, they both realize how much time they’ve lost during those 30 years. The cherries bring the two men back to their first memories and let them experience them longer, as if to start all over again.

Two friends wander around a Soviet-era neighbourhood in the outskirts of Vilnius. An airport is going to be built here soon, and the place where they grew up will cease to exist. This thoughtful, post-dramatic film shot by director and cinematographer Vytautas Katkus is an inquiry into the psychogeography of post-Soviet Lithuania.

Two friends wander around a Soviet-era neighbourhood in the outskirts of Vilnius. An airport is going to be built here soon, and the place where they grew up will cease to exist. This thoughtful, post-dramatic film shot by director and cinematographer Vytautas Katkus is an inquiry into the psychogeography of post-Soviet Lithuania.