Sound
Sacha Puttnam
Born 1966-04-05 · London, England, UK
Sacha Puttnam is a master of cinematic soundscapes and character themes whose evocative scores have captivated audiences around the globe. With over 25 years of experience in the industry, Sacha has worked with some of the most acclaimed directors and multi-platinum recording artists, seamlessly blending classical and contemporary influences to create music that resonates to picture. His impressive credentials and awards include scoring films like The Confessional, Breuer's Bohemia and Women’s Day, as well as crafting the soundtracks for popular BBC series such as A Handmaid’s Tale and Central Intelligence. A graduate of Berklee College of Music, Sacha was mentored from a young age by legends like Vangelis, Quincy Jones and Michael Kamen, ensuring that every note he composes is rich with expertise and innovation. Beyond his extraordinary work on film, Sacha is a passionate advocate for music education and actively supports emerging composers, showcasing his commitment to the future of the industry.
Acting credits
5.9Greed, corruption, ignorance, and disease. Midsummer, 1349: the Black Death reaches northern Germany. Minstrels go to Hamelin for the Mayor's daughter's wedding to the Baron's son. He wants her dowry to pay his army while his father taxes the people to build a cathedral he thinks will save his soul. A local apothecary who's a Jew seeks a treatment for the plague; the priests charge him with witchcraft. One of the minstrels, who has soothed the Mayor's daughter with his music, promises to rid the town of rats for the fee. The Mayor agrees, then renigs. In the morning, the plague, the Jew's trial, and the Piper's revenge come at once.
The Pied Piper
1972
6.5Britain, 1958. Restless at school and bored with his life, Jim leaves home to take a series of low-level jobs at a seaside amusement park, where he discovers a world of cheap sex and petty crime. But when that world comes to a shockingly brutal end, Jim returns home. As the local music scene explodes, Jim must decide between a life of adult responsibility or a new phenomenon called rock & roll.
That'll Be The Day
1973
6.5Britain, 1958. Restless at school and bored with his life, Jim leaves home to take a series of low-level jobs at a seaside amusement park, where he discovers a world of cheap sex and petty crime. But when that world comes to a shockingly brutal end, Jim returns home. As the local music scene explodes, Jim must decide between a life of adult responsibility or a new phenomenon called rock & roll.
That'll Be The Day
1973
7.0The story revolves around the lives of a group of international fashion models, focusing on the main character, Fabrice. The film examines the hollowness of his glamorous lifestyle, leading to self discovery and ultimately a personal catharsis (and his own death). The film is based on (really, inspired by) the French Book, L'Education Sentimentale, by Gustave Flaubert.
Sentimental Education
1998
7.2Sredni Vashtar is a 1981 short film, written, produced and directed by Andrew Birkin, based on the short story of the same name written by Hector Hugh Munro. The story concerns a slowly dying ten-year-old boy named Conradin, who lives with his strict cousin and guardian, Mrs. De Ropp. Conradin rebels against her and invents a new religion for himself, which centres on idolising a polecat-ferret he calls Sredni Vashtar; a vengeful, merciless god. The film won the BAFTA award for Best Short Film, and was nominated for an Academy Award for Best Live Action Short Film.
Sredni Vashtar
1981