Park Jeong-eon

Mu-kwang volunteers to be a kitchen police of Sa-taek, the divisional commander, dreaming of success. One day, Mu-kwang meets Su-ryeon by chance, who is a young and beautiful wife of the commander. Soon, he feels a strong attraction by her.

Bok-ja is granted a special vacation after her death, which allows her to go see her daughter, Jin-joo, a university professor living abroad. Unlike her expectation, Bok-ja finds Jin-joo living in her old house running a local diner and becomes frustrated with questions that she is unable to ask. After spending time alongside Jin-joo, Bok-ja realizes that her daughter is struggling with the unresolved feelings about her, and tries to find a way to show her sincere feelings that she had never shared before.

A sequel to "Porosity Valley, Portable Holes" (2017), this piece expands upon the previous work through a fictionalized depiction of the migration of the migrant/mineral/data cluster known as Petra Genetrix. Juxtaposing refugee migration with digital migration, both of which characterize migration in the 21st century, the work creates a speculative space-time by interrogating the “ways of existence” and the “ways of representation” of the Yemeni refugees who recently arrived in South Korea. Reflected here is the state of affairs in which refugees are treated as a kind of malware or virus that threaten the immune system of the nation state.

The three people, who have difficulty finding their common ground, open their eyes in an unknown space. Who, why, how where they locked up here? They can only escape if they find their lost memory!