Jane Nash

Chandler and Co is a British television programme written by Paula Milne and produced by Ann Skinner for the BBC. Aired with two series from 1994 to 1995, it follows private detective Elly Chandler, alongside her sister-in-law Dee Tate. In the second series, Tate is replaced by Kate Phillips, a former client turned employee.

Six single dramas adapted from six of Geoffrey Chaucer's 14th century Canterbury Tales, transferred to a modern, 21st century setting, but still set along the traditional Pilgrims' route to Canterbury.

Amidst the thaw of glasnost, the Kremlin discovers that two Soviet agents, sent to England under deep cover in 1965, have been "lost." A beautiful and ambitious Russian agent, sent to London to track them down, becomes embroiled in a tangle of CIA, KGB and MI-5 plots and counter-plots as the two lost agents, now utterly assimilated, try to avoid detection.

Amidst the thaw of glasnost, the Kremlin discovers that two Soviet agents, sent to England under deep cover in 1965, have been “lost.” A beautiful and ambitious Russian agent, sent to London to track them down, becomes embroiled in a tangle of CIA, KGB and MI-5 plots and counterplots as the two lost agents, now utterly assimilated, try to avoid detection.

Chandler and Co is a British television programme written by Paula Milne and produced by Ann Skinner for the BBC. Aired with two series from 1994 to 1995, it follows private detective Elly Chandler, alongside her sister-in-law Dee Tate. In the second series, Tate is replaced by Kate Phillips, a former client turned employee.

Six single dramas adapted from six of Geoffrey Chaucer's 14th century Canterbury Tales, transferred to a modern, 21st century setting, but still set along the traditional Pilgrims' route to Canterbury.

Amidst the thaw of glasnost, the Kremlin discovers that two Soviet agents, sent to England under deep cover in 1965, have been "lost." A beautiful and ambitious Russian agent, sent to London to track them down, becomes embroiled in a tangle of CIA, KGB and MI-5 plots and counter-plots as the two lost agents, now utterly assimilated, try to avoid detection.