Bahman Kiarostami

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Leeches a film by bahman kiarostami

You Are Not Alone weaves together fragments of Taste of Cherry, Project, and footage from Abbas Kiarostami’s gravesite, reflecting on memory, mourning, and the enduring mystery of his absence.

A thirty-nine minute sketch film for TASTE OF CHERRY that Abbas Kiarostani made with his son Bahman Kiarostami.

Since Iran opened its borders to refugees of the Soviet–Afghan War in 1979, it has become home to as many as 2.5 million Afghans, half of whom are undocumented. When renewed US sanctions in 2018 caused a currency collapse in Iran, the vulnerable population of migrants—often working as low-paid labourers in harsh conditions—was severely affected by the recession. Now, large numbers of them want to return home. Bahman Kiarostami (the son of late acclaimed director Abbas Kiarostami) sets up his camera in a Tehran-based facility processing thousands of illegals leaving the country. The migrants are asked surprising personal questions about everything from religion to drugs to family issues. With a Wiseman-esque fly-on-the-wall observation of these surprising interrogation sessions, Kiarostami paints a kaleidoscopic, empathetic and often humorous picture of the Afghans' place in Iranian society and their reasons for leaving it.

An archival documentary exploring the life and work of Iranian photographer Iraj Ganjei through a rediscovered collection of photographs, letters, and other personal documents. As the filmmakers trace the origins of an unidentified photographic archive, they gradually uncover the world of a largely forgotten photographer and his connections to the artistic milieu of 1960s Iran.

No synopsis available yet.

Leeches a film by bahman kiarostami

A thirty-nine minute sketch film for TASTE OF CHERRY that Abbas Kiarostani made with his son Bahman Kiarostami.

Since Iran opened its borders to refugees of the Soviet–Afghan War in 1979, it has become home to as many as 2.5 million Afghans, half of whom are undocumented. When renewed US sanctions in 2018 caused a currency collapse in Iran, the vulnerable population of migrants—often working as low-paid labourers in harsh conditions—was severely affected by the recession. Now, large numbers of them want to return home. Bahman Kiarostami (the son of late acclaimed director Abbas Kiarostami) sets up his camera in a Tehran-based facility processing thousands of illegals leaving the country. The migrants are asked surprising personal questions about everything from religion to drugs to family issues. With a Wiseman-esque fly-on-the-wall observation of these surprising interrogation sessions, Kiarostami paints a kaleidoscopic, empathetic and often humorous picture of the Afghans' place in Iranian society and their reasons for leaving it.

Since Iran opened its borders to refugees of the Soviet–Afghan War in 1979, it has become home to as many as 2.5 million Afghans, half of whom are undocumented. When renewed US sanctions in 2018 caused a currency collapse in Iran, the vulnerable population of migrants—often working as low-paid labourers in harsh conditions—was severely affected by the recession. Now, large numbers of them want to return home. Bahman Kiarostami (the son of late acclaimed director Abbas Kiarostami) sets up his camera in a Tehran-based facility processing thousands of illegals leaving the country. The migrants are asked surprising personal questions about everything from religion to drugs to family issues. With a Wiseman-esque fly-on-the-wall observation of these surprising interrogation sessions, Kiarostami paints a kaleidoscopic, empathetic and often humorous picture of the Afghans' place in Iranian society and their reasons for leaving it.

Since Iran opened its borders to refugees of the Soviet–Afghan War in 1979, it has become home to as many as 2.5 million Afghans, half of whom are undocumented. When renewed US sanctions in 2018 caused a currency collapse in Iran, the vulnerable population of migrants—often working as low-paid labourers in harsh conditions—was severely affected by the recession. Now, large numbers of them want to return home. Bahman Kiarostami (the son of late acclaimed director Abbas Kiarostami) sets up his camera in a Tehran-based facility processing thousands of illegals leaving the country. The migrants are asked surprising personal questions about everything from religion to drugs to family issues. With a Wiseman-esque fly-on-the-wall observation of these surprising interrogation sessions, Kiarostami paints a kaleidoscopic, empathetic and often humorous picture of the Afghans' place in Iranian society and their reasons for leaving it.

An archival documentary exploring the life and work of Iranian photographer Iraj Ganjei through a rediscovered collection of photographs, letters, and other personal documents. As the filmmakers trace the origins of an unidentified photographic archive, they gradually uncover the world of a largely forgotten photographer and his connections to the artistic milieu of 1960s Iran.

An archival documentary exploring the life and work of Iranian photographer Iraj Ganjei through a rediscovered collection of photographs, letters, and other personal documents. As the filmmakers trace the origins of an unidentified photographic archive, they gradually uncover the world of a largely forgotten photographer and his connections to the artistic milieu of 1960s Iran.

After Saddam Hussein's removal from power, Iranians rushed to cross the unguarded border with Iraq to visit the shrines of Shi'ism in Karbala and Najaf.

After Saddam Hussein's removal from power, Iranians rushed to cross the unguarded border with Iraq to visit the shrines of Shi'ism in Karbala and Najaf.

A film by bahman kiarostami

Infidels (Koffar) is a film about the Godars—artist-Gypsies living in Northern Iran. The film recounts the four ways which the Godars make their living: dancing, acting, hunting and music, and showcases their dedication to preserve their art and age-old rituals. In this film the Godars sing songs, play music, and tell the ancient tales of their heritage which often deal with their problems with God.

"Lowland" is the result of 5 years, daily communication with those who lived on the outskirts of Tehran, Saeed's dumpsite, and collected recyclable garbages of Tehran.

Twenty years after The Traveler was made, Kiarostami's son filmed his father as he reunited with the film's child star, now in his 30s.

Bahman Kiarostami's charming documentary about mourners-for-hire who are called upon to attend funerals in Iran. With an understated, lighthearted style, Tabaki provides a fascinating view of a peculiar occupation within this religious culture, offering, in the process, an insightful portrait of the society as a whole.

Persian Garden, gives a behind-the-scenes look at the largest and most ambitious art exhibition in Iran since the 1979 Islamic revolution.

This documentary looks at different aspects of the life of Bahman Farmanara, the well known Iranian film director and producer.

A Film By Bahman kiarostami

A documentary about Iranian artist Parvaneh Etemadi

This documentary looks at the life and work of Iranian artist Monir Shahroudy Farmanfarmaian, who first garnered attention in the 1970s when she pioneered contemporary forms of geometric mirror works. Monir created an artistic language that was informed by traditional Iranian craft and architecture; formative years spent in New York in the 1940s and 50s and ongoing conversations with some of the 20th century's most experimental artists were also part of Monir's artistic universe. The film takes an intimate look at the artist's life and her practice, and explores how she has become one of the most innovative and influential artists working in the Middle East today. From her method of constructing mirror mosaics, to uncovering her past following the political changes in her own country and her subsequent migration to New York, and an artistic renewal sparked by her return to Tehran after an absence of 25 years, it offers an inspiring chronicle of Monir at the peak of her career.

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nour lumieres et voix dance les eglises in diran

No synopsis available yet.

No synopsis available yet.

It was not a ship, Raphael was a city floating on water, a strange and shameful city, where did he come from? Raphael is a very beautiful ship that was bought from Italy in the 50s. Many Italians were sorry for selling it to Iran and were exposed to selling this cultural heritage of theirs. Raphael experienced the revolution and then the war. Where is Raphael now?

It was not a ship, Raphael was a city floating on water, a strange and shameful city, where did he come from? Raphael is a very beautiful ship that was bought from Italy in the 50s. Many Italians were sorry for selling it to Iran and were exposed to selling this cultural heritage of theirs. Raphael experienced the revolution and then the war. Where is Raphael now?

No synopsis available yet.

Rahmaneh spent her first two decades fully veiled, like her mother Elahe, as part of a deeply religious family. Now 37, she is at the forefront of Iran's protest movement and at odds with her father and the culture he created. This film shows her struggle to maintain the family bond across three generations, as it cracks under the pressure of politics.

Ah! Enough now, O History, O wise witness of all that has been and all that is seen. This traveler, this spectator, who has witnessed so much, His heart has been drenched in blood.

Kamancheh seeks to celebrate and preserve the unique and beautiful music of the kamancheh. It explores the lives, work, and aspirations of Iranian musicians who have devoted themselves to this distinctive and challenging instrument.

The Treasure Cave centers on the famous Tehran Museum of Contemporary Art, which is widely considered to be the region’s most important store of modern Western art: Picasso, Chagall, Warhol, Bacon and possible the best Jackson Pollock outside of the United States. However after the revolution, its collection has been little seen, and the building became a memorial to art commemorating the martyrs of the 1979 revolution and Iran-Iraq War.

The Treasure Cave centers on the famous Tehran Museum of Contemporary Art, which is widely considered to be the region’s most important store of modern Western art: Picasso, Chagall, Warhol, Bacon and possible the best Jackson Pollock outside of the United States. However after the revolution, its collection has been little seen, and the building became a memorial to art commemorating the martyrs of the 1979 revolution and Iran-Iraq War.