Isabelle Mazin

France, 1963. Anne is a bright young student with a promising future ahead of her. But when she falls pregnant, she sees the opportunity to finish her studies and escape the constraints of her social background disappearing. With her final exams fast approaching and her belly growing, Anne resolves to act, even if she has to confront shame and pain, even if she must risk prison to do so.

1942 Paris. Annette is 20 years old, Jean is barely older, they love each other and the future is bright for them. But the deportation of the Jews of France will change their destiny. Upset at the idea of their only son marrying a Jewish woman, Jean Jausion's parents decide to keep young Annette Zelman away from them... and denounce her to the Gestapo. The machine was launched, but it was too late. Annette was deported to Auschwitz on June 22, 1942.

Chocolat the clown, the first black stage performer in France, goes from anonymity to fame after forming an unprecedented duo with fellow performer Footit in the very popular in Belle Epoque Paris. But easy money, gambling, and discrimination take their toll on their friendship and Chocolat's career.

Stéphane, Cathy and Thierry are the best employees of the Employment Agency of their city. But their results are so good that the agency will have to close because of a lack of unemployed. The three colleagues then have the crazy idea of creating unemployment to save their job.

In a nursing home for disabled near Toulon, René is unanimously hated by all. With fifty years and suffering from myopathy, has an irascible, rebellious character. But not resist provocations candor and uprightness of Julie, a special educator rookie. He confesses he wants to make love to a woman before her degenerative disease definitely catch it. Then Julie goes after one of the prostitutes who work in caravans along the N7.

Raoul is a 20 years old student in Paris. Girls are not interested in him, though he is good-looking. He wonders why. Raoul does not look for a great passion, he only wants to be kissed. We will follow his love tribulations.

It is a story of a depressed, isolated man stuck in a tedious but well-paying programming job.

This 1991 production by the Lyon National Opera presents a welcome opportunity to revel in a uniquely Gallic confection rarely seen outside France. It's also a chance to enjoy one of Offenbach's most inventive, melodic scores in which the starring musical role and many of the best tunes go to the orchestra, here conducted by Jean-Yves Ossonce. This is no accident: the operetta was originally created for a company of actors who relied on pastiche and the composer's help to get them through their "numbers". Not so these singers, of course. As Metella, the languorous courtesan who is responsible for the unravelling debacle, Helene Delavault is in meltingly good voice for her show-stopping rondeau, "A minuit sonnant commence la fete". Her sparring suitors Gardefeu (Jean-Francois Sivadier) and, particularly, Bobinet (Jacques Verzier) combine marvellous visual comedy with fluid singing and there is some dazzling vocal work from the supporting cast. It's a long piece, but hugely enjoyable.