Nelson Nadotti

A group of artisans sell handmade wallets, belts, bags and sandals at Rua da Ladeira, but the production is disorganized. A young businessman decides to invest in the boys, divides them into work groups and decreases their resting hours. In return, he offers them a great place to live. Their “industry” starts to make a profit, but those who work continue to earn very little.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

The story of one of Brazilian cinema's pioneers, Eduardo Abelim, from the start of his career, in Rio de Janeiro, until his filming of the 1930 Revolution. To promote his films, Abelim would even perform car stunts, give classes on the occult and offer guidance on mystical matters.

Two children flee together with a grown up from a slum in Rio because this man had problems with the local drug lord. They end up in the house where a rich American citizen lives with his daughter.

No synopsis available yet.

A group of artisans sell handmade wallets, belts, bags and sandals at Rua da Ladeira, but the production is disorganized. A young businessman decides to invest in the boys, divides them into work groups and decreases their resting hours. In return, he offers them a great place to live. Their “industry” starts to make a profit, but those who work continue to earn very little.

A group of artisans sell handmade wallets, belts, bags and sandals at Rua da Ladeira, but the production is disorganized. A young businessman decides to invest in the boys, divides them into work groups and decreases their resting hours. In return, he offers them a great place to live. Their “industry” starts to make a profit, but those who work continue to earn very little.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

The story of one of Brazilian cinema's pioneers, Eduardo Abelim, from the start of his career, in Rio de Janeiro, until his filming of the 1930 Revolution. To promote his films, Abelim would even perform car stunts, give classes on the occult and offer guidance on mystical matters.

Two children flee together with a grown up from a slum in Rio because this man had problems with the local drug lord. They end up in the house where a rich American citizen lives with his daughter.

Faustão, a fruit seller, is selected by God himself to become Inspector Faustão, defender of the animals. He's joined by Sérgio Mallandro in a mission to save a group of quails from an illegal smuggler, while also having to deal with a bratty kid and a jealous girlfriend.

No synopsis available yet.

Film adaptation of the TV Show in 1994, based on the novel of the same name by Érico Veríssimo. During a general strike in the city of Antares, gravediggers refuse to carry out burials, to increase pressure on employers. During the night, however, the dead claim the right to be buried.

Film adaptation of the TV Show in 1994, based on the novel of the same name by Érico Veríssimo. During a general strike in the city of Antares, gravediggers refuse to carry out burials, to increase pressure on employers. During the night, however, the dead claim the right to be buried.

Much confusion in the absurd dialogue between a TV presenter and a housewife occupied with tragic aspects of her existence.

Deu Pra Ti Anos 70 is a Brazilian film, shot in super-8 in 1981 in the city of Porto Alegre. It tells the story of the meetings and disagreements between Marcelo and Ceres through the 1970s, in bars, dance meetings and camps. It has the special participation of artists who would become important in the gaúcho music scene, such as Nei Lisboa, Júlio Reny, Augusto Licks, Wander Wildner and Carlos Gerbase. It was the first film by actor Werner Schünemann.

Deu Pra Ti Anos 70 is a Brazilian film, shot in super-8 in 1981 in the city of Porto Alegre. It tells the story of the meetings and disagreements between Marcelo and Ceres through the 1970s, in bars, dance meetings and camps. It has the special participation of artists who would become important in the gaúcho music scene, such as Nei Lisboa, Júlio Reny, Augusto Licks, Wander Wildner and Carlos Gerbase. It was the first film by actor Werner Schünemann.