Reiko Hatsune

When his travels bring him to Osaka, Tora-san falls in love with a local geisha. He helps her to track down her estranged brother, and informs his family that he plans to marry her. His plans are foiled when the geisha informs Tora-san that she is engaged.

Two boys, whose parents ply their trade by the mouth of a muddy river in Osaka, become close friends.

1962 Japanese movie

A country boss gives up his way of life because of his daughter's marriage.

1968 film

Based on the comic by Kaoru Akiyoshi

1961 Japanese movie

The four-member con group, including the intellectual boss Nobukichi Ishiguro (Masayuki Mori), who is called an "aristocrat con man" for his elegant appearance; the amorous Kyuhei Maruki (Tadao Takashima); the inventive Yosuke Mori (Hideo Sunatsuka); and the amorous Mami (Mako Midori), set one bizarre trap after another in their quest for the perfect crime in this wry crime comedy.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Based on the story "Oie han to Nao don" by Naoshi Tachi.

No synopsis available yet.

Tonii is a salesman at a mortgage company, and although he is in a romantic relationship with Haruko, a typist at the company, they cannot get married because they have nowhere to live. Growing impatient, Haruko declares, “As long as he can support us, I’d even marry an old man,” leaving Tonii deeply troubled.

No synopsis available yet.

Tonii is an aspiring world-class inventor who has sold off his parents’ estate and mansion and was now continuing his research in a shed tucked away in a corner of the spacious garden. Because a deafening roar echoed from inside the shed every day, the current owner of the estate, the wealthy Ginzo Kaneda, demanded that he vacate the premises.

When Mr. Kurano, a shady Osaka tycoon, had his mistress Yuriko Haruyama run off on him, he hired the bumbling detective Hanawa to track her down. Hanawa deduced she was staying in Tokyo and, using the birthmark on her breast as a clue, headed to Tokyo. He zeroed in on the “Chaotic Hotel” and stormed right in. The hotel’s guests include a motley crew of chaotic characters.

A frenzy of goodwill, tears, laughter, and a lot of fun, caused by thirteen children under the guise of a good-natured fruit vendor and his wife.

No synopsis available yet.

No synopsis available yet.

The 5th and final part of the series of films based on the Japanese epic novel Nanso Satomi Hakkenden by Kyokutei Bakin

In the midst of the Siege of Osaka in the Sengoku period, a thrilling tale unfolds featuring a trio of ronin who manipulate a group of spies, a mysterious woman protecting a young lord, and the overwhelming roar of the Warring States captured on the silver screen.

The adventures of Goro and his fellow samurai concludes. After their turbulent journey, the seven crosses are finally united to reveal the secret of the royal treasure.

Swordfighting instructor Danpei works at a local theater in Tokyo, instructing the actors how to fight realistically.

Japanese comedy film.

A revenge comedy directed by Torajiro Saito (Oedo's most Popular Man) from a script by Chao Fushimi (The Millionaire of a Night) and shot by Hiro Imai (Akado Suzunosuke (1957)). Starring Achako Hanabishi (Segedei Momoshiki Goten), Tamao Nakamura (Akado Suzunosuke (1957)), Seinen Hayashi (Nijunin no Kenka-jou) and Sumire Harukaze (Harukaze Sumire). Also Rumiko Komachi, Shunji Sakai, Yoshio Tabata and Mieko Suzuki.

The first part of the series of films based on the Japanese epic novel Nanso Satomi Hakkenden by Kyokutei Bakin

Baseball comedy.

No synopsis available yet.

No synopsis available yet.

Being acquainted with the bride's uncle, a famed private detective is invited to a wedding ceremony. The groom's family is moneyed and owns large tracts of land. The bride is a former teacher and was rumoured to have had an affair, which explains why the groom's family opposed the union. On the night of the ceremony the bride and groom are killed in a sealed room. There is evidence left, however, as there is a hand print on the wall albeit with only the trace of three fingers.