Furry Lewis

In the segregated Memphis of the 1960s, blues masters and beatniks created a music festival that rocked the foundations of a conservative world.

It’s the Summer of 1969. The temperature hovers around 105 degrees on a humid weekend in Memphis, Tennessee. It’s only been a year since the assassination of Dr. Martin Luther King Jr. But on this particular weekend, everyone in town, all races, creeds and colors have come out for the Fourth Annual Memphis Country Blues Festival. The lineup is the most ambitious in years, welcoming blues masters like Bukka White, Sleepy John Estes, Furry Lewis and the 106 year-old Nathan Beauregard, coupled with more notable headliners like Rufus Thomas & The Bar-Kays, John Fahey and rocker Johnny Winter. One attendee that year was Gene Rosenthal, who brought along a couple of cameras, a small crew and left with 40,000 feet of color film that was left untouched for nearly 50 years….until now. ‘Memphis 69’ is a time capsule. If you’re a blues enthusiast, watching this film feels like you’ve opened up a treasure chest and discovered that you’ve hit the motherload.

Footage shot in 1976 of a performance by the legendary blues musician Furry Lewis, who was 83 years old at the time. Originally shot on a Sony 1/2" Porta Pak, the footage was transferred to Mini DV and edited to maintain the integrity of that solo performance. Included is a ten minute interview conducted with Furry Lewis during intermission.

In 1973, photographer William Eggleston picked up a Sony PortaPak and took to documenting the soul of Memphis and New Orleans.

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