Elisabeth Subrin

An unproduced screenplay by Michelangelo Antonioni provides the basis for this existential tale of a gun-obsessed journalist, starring Gaby Hoffmann in roles originally intended for Jack Nicholson and Maria Schneider.

Over 30 filmmakers and friends of Strand Releasing have come together to honor the company’s indelible contribution to independent cinema over the past thirty years. The participating filmmakers have each created a short film for the project, all shot on iPhones.

An exhausted, workaholic actress, Anna Baskin, 44, abruptly extricates herself from a successful but mind-numbing TV role, returning to her past life in New York to reinvent herself.

Elisabeth’s short for 30/30 Vision is a tribute to the French actress Maria Schneider.

In Beirut on September 22, 2024, just hours before bombing escalated throughout the country, the Lebanese French actress Manal Issa considers the role of the actor during the unfolding global conflict.

In three reenactments of a controversial 1983 television interview, actors Manal Issa, Aïssa Maïga, and Isabel Sandoval play late French actress Maria Schneider. “The Listening Takes” is a prescient confrontation with the patriarchal structure of the film industry. [Overview Courtesy of Participant Inc.]

An unproduced screenplay by Michelangelo Antonioni provides the basis for this existential tale of a gun-obsessed journalist, starring Gaby Hoffmann in roles originally intended for Jack Nicholson and Maria Schneider.

Over 30 filmmakers and friends of Strand Releasing have come together to honor the company’s indelible contribution to independent cinema over the past thirty years. The participating filmmakers have each created a short film for the project, all shot on iPhones.

An exhausted, workaholic actress, Anna Baskin, 44, abruptly extricates herself from a successful but mind-numbing TV role, returning to her past life in New York to reinvent herself.

An exhausted, workaholic actress, Anna Baskin, 44, abruptly extricates herself from a successful but mind-numbing TV role, returning to her past life in New York to reinvent herself.

Elisabeth’s short for 30/30 Vision is a tribute to the French actress Maria Schneider.

In Beirut on September 22, 2024, just hours before bombing escalated throughout the country, the Lebanese French actress Manal Issa considers the role of the actor during the unfolding global conflict.

In Beirut on September 22, 2024, just hours before bombing escalated throughout the country, the Lebanese French actress Manal Issa considers the role of the actor during the unfolding global conflict.

In three reenactments of a controversial 1983 television interview, actors Manal Issa, Aïssa Maïga, and Isabel Sandoval play late French actress Maria Schneider. “The Listening Takes” is a prescient confrontation with the patriarchal structure of the film industry. [Overview Courtesy of Participant Inc.]

In 1983, French actress Maria Schneider gives an interview for the TV show Cinéma Cinémas. The conversation takes an unexpected turn when she challenges film industry practices and is asked to talk about the controversial film Last Tango in Paris (1972).

In 1983, French actress Maria Schneider gives an interview for the TV show Cinéma Cinémas. The conversation takes an unexpected turn when she challenges film industry practices and is asked to talk about the controversial film Last Tango in Paris (1972).

Elisabeth Subrin’s masterful film is a shot-by-shot reenactment of an unreleased 1967 documentary portrait of SAIC student Shulamith Firestone, who, a few years later, would become a central figure in the rise of radical feminism. Through its meticulous staging, the film expresses in Subrin’s words, “the residues of the past,” and the resonance of issues around gender and class today. (Gene Siskel Film Center)

Elisabeth Subrin’s masterful film is a shot-by-shot reenactment of an unreleased 1967 documentary portrait of SAIC student Shulamith Firestone, who, a few years later, would become a central figure in the rise of radical feminism. Through its meticulous staging, the film expresses in Subrin’s words, “the residues of the past,” and the resonance of issues around gender and class today. (Gene Siskel Film Center)

The Fancy is a speculative, experimental work that explores the life of Francesca Woodman (1958-1981), evoked by the published catalogues of and about her photographs. Structural in form, the video radically reorganizes information from the catalogues in order to pose questions about biographical form, history and fantasy, female subjectivity, and issues of authorship and intellectual property.

An evocative collage about a young girl caught in the throes of anorexia and depression, deviance and disintegration.

A film by Elisabeth Subrin.