Shanjhey Kumar Perumal

Set in the early 1990’s, a critical period in Malaysian Indian history, the story subtly underlines the plight of the Indian Malaysians. Forsaken by the estate owners who had employed them for generations and systematically marginalized, they are forced to move to the cities and survive under harsh circumstances. Left out of the nation’s urbanization and development plans, many live in squatters and work at minimum wage jobs…

A drug dealer finds himself in hot water when the merchandise he’s carrying for a local kingpin is lost. Fearing his vicious boss’ retribution, he sets off to make amends, in a visceral, kinetic film that knowingly plays with genre conventions.

Set in the early 1990s—a critical period in Malaysian Indian history—this story subtly underlines the plight of the Malaysian Indian. Forsaken by the estate owners who employed them for generations and systematically marginalized them, they are forced to move to the cities and survive under harsh circumstances. Left out of the nation's urbanization and development plans, many live in squatters and work minimum wage jobs. The plot centers on a bright but mischievous 12-year-old boy named Appoy and his relationship with his father, Maniam, and his two uncles—Bala, an ex-drug addict, and Dorai, a local gangster.

Karthi, a disgruntled assistant on commercial productions, is working on an honest, personal film script, but his project is without industry backers. In the dispiriting pursuit of his dream, he loses his love and sinks into alcoholism, until he meets a kindred spirit adrift in the world.

When Neelakandan needs a drink, he will get it no matter what. The short film follows his struggle of trying to score some alcohol amidst the MCO in Malaysia due to the recent outbreak of the Covid-19 virus.

It is said that Nature is speaking to us, but how many are listening?

Set in the early 1990’s, a critical period in Malaysian Indian history, the story subtly underlines the plight of the Indian Malaysians. Forsaken by the estate owners who had employed them for generations and systematically marginalized, they are forced to move to the cities and survive under harsh circumstances. Left out of the nation’s urbanization and development plans, many live in squatters and work at minimum wage jobs…

Set in the early 1990’s, a critical period in Malaysian Indian history, the story subtly underlines the plight of the Indian Malaysians. Forsaken by the estate owners who had employed them for generations and systematically marginalized, they are forced to move to the cities and survive under harsh circumstances. Left out of the nation’s urbanization and development plans, many live in squatters and work at minimum wage jobs…

A drug dealer finds himself in hot water when the merchandise he’s carrying for a local kingpin is lost. Fearing his vicious boss’ retribution, he sets off to make amends, in a visceral, kinetic film that knowingly plays with genre conventions.

A drug dealer finds himself in hot water when the merchandise he’s carrying for a local kingpin is lost. Fearing his vicious boss’ retribution, he sets off to make amends, in a visceral, kinetic film that knowingly plays with genre conventions.

A drug dealer finds himself in hot water when the merchandise he’s carrying for a local kingpin is lost. Fearing his vicious boss’ retribution, he sets off to make amends, in a visceral, kinetic film that knowingly plays with genre conventions.

Set in the early 1990s—a critical period in Malaysian Indian history—this story subtly underlines the plight of the Malaysian Indian. Forsaken by the estate owners who employed them for generations and systematically marginalized them, they are forced to move to the cities and survive under harsh circumstances. Left out of the nation's urbanization and development plans, many live in squatters and work minimum wage jobs. The plot centers on a bright but mischievous 12-year-old boy named Appoy and his relationship with his father, Maniam, and his two uncles—Bala, an ex-drug addict, and Dorai, a local gangster.

Karthi, a disgruntled assistant on commercial productions, is working on an honest, personal film script, but his project is without industry backers. In the dispiriting pursuit of his dream, he loses his love and sinks into alcoholism, until he meets a kindred spirit adrift in the world.

Karthi, a disgruntled assistant on commercial productions, is working on an honest, personal film script, but his project is without industry backers. In the dispiriting pursuit of his dream, he loses his love and sinks into alcoholism, until he meets a kindred spirit adrift in the world.

Karthi, a disgruntled assistant on commercial productions, is working on an honest, personal film script, but his project is without industry backers. In the dispiriting pursuit of his dream, he loses his love and sinks into alcoholism, until he meets a kindred spirit adrift in the world.

When Neelakandan needs a drink, he will get it no matter what. The short film follows his struggle of trying to score some alcohol amidst the MCO in Malaysia due to the recent outbreak of the Covid-19 virus.

It is said that Nature is speaking to us, but how many are listening?

KL becomes Kay Hell for cousins Kali and Dass who were down visiting their uncle Bull Dog Maniam for the school holidays, but ended up being forced to become his “Machai” (apprentice) in his business. Though they were able to survive the storm, see why today is an unlucky day.

KL becomes Kay Hell for cousins Kali and Dass who were down visiting their uncle Bull Dog Maniam for the school holidays, but ended up being forced to become his “Machai” (apprentice) in his business. Though they were able to survive the storm, see why today is an unlucky day.

The Hindu festival of Thaipoosam takes place every year in Batu Caves, Kuala Lumpur.