Güçlü Yalçıner

Cem and Ali, two buddies, find themselves in the middle of a mafia showdown at a party where they are DJing. Not knowing what to do, the pair try to escape by putting on women's clothes they find in the costume room. But a perverted member of the mafia takes them to a resort and holds them captive, and the pair suddenly find themselves working as entertainers at a hotel. During their first attempt to escape the hotel, they see 20 girls who have come to the hotel for a beauty pageant and are stunned. They don't want to leave this paradise-like environment. But flirting with girls and living as women is difficult. Even when they try to escape from the hotel a second time, the duo, who have fallen in love with Cansu and Ebru from the TV crew, stay at the hotel. Meanwhile, the mafia also arrives at the hotel.

A series of short scenes gives us a glimpse into a couple's complex relationship. Beautiful and frail about the little things that make up the whole.

A girl tries to manage the demands of her traditional family's wishes and her own as she embarks on a journey to marry the love of her life.

In present-day Istanbul, there are three young people in their twenties. Süreyya, who suspects her boyfriend Nazım of being unfaithful, convinces her best friend Burcu to seduce him. But this game will lead to much more serious consequences than Süreyya ever imagined.

A chance meeting on a train in the Turkish countryside leads two women to a journey that shows them the importance of setting a path for one's life.

Killing The Shadows is a bawdy comic fable set in the Ottoman Empire during the mid-14th century based on two legendary figures in Turkish folkore, the jester Hacivat (Beyazit Ozturk) and the nomad Karagoz (Haluk Bilginer), men who apparently lived and died by their sense of humour.

Aspiring actress Gülşah is preparing for the auditions of an acting school. She also volunteers for a theatre and one day she is sexually assaulted by famous actor Levent, who is also a jury member for the audition she is preparing. Daily reality and the reality of the theatre world flow into each other and Gülşah has to fight against several patriarchs in order to fulfill her dreams.