Miguel Antonio Zanguña

A man in chains, a young man who dreams of being part of something, to become a militant for an armed group who must wield a cruelty in which he may not believe in. The characters, each voluntary or involuntary part of a mechanism that overcomes them, reveal their greatness or misery in the “minimum” tasks that they perform to survive. From that sometimes morbid poetry of the everyday and the irrefutable truth of the details, we see a country whose social body is sick and injured.

Although she's not completely convinced, Sandra plans to leave. Héctor, who wants to get close to her again, walks with her for a lonely road carring her bags until the bus stop to wait for a ride.

A man in chains, a young man who dreams of being part of something, to become a militant for an armed group who must wield a cruelty in which he may not believe in. The characters, each voluntary or involuntary part of a mechanism that overcomes them, reveal their greatness or misery in the “minimum” tasks that they perform to survive. From that sometimes morbid poetry of the everyday and the irrefutable truth of the details, we see a country whose social body is sick and injured.

Although she's not completely convinced, Sandra plans to leave. Héctor, who wants to get close to her again, walks with her for a lonely road carring her bags until the bus stop to wait for a ride.

Although she's not completely convinced, Sandra plans to leave. Héctor, who wants to get close to her again, walks with her for a lonely road carring her bags until the bus stop to wait for a ride.