Ashique Mostafa

A boy orphaned at birth grows up making his flower garden, trancing a flower fairy of that garden as his illusioned mother. Like a fresh flower, he scents the world inside him apart from the realities of society. But when his flower is plucked eventually by the force of his fate, he discovers friendship, love, passion and finally hatred that drowns him, tearing his petals, under the water.

An uncut shot of a journey taken to discover the various layers of the relationship between man and nature and the different perceptions of reality within two full circles. The short film storytelling technique exploits the strength of non-diegetic sound elements and explores the freedom of framing techniques.

Shimu, 23, works in a clothing factory in Dhaka, Bangladesh. Faced with difficult conditions at work, she decides to start a union with her co-workers. Despite threats from the management and disapproval of her husband, Shimu is determined to go on. Together the women must fight and find a way to register their union.

During the war in 1971, Meher falls in love with a soldier from the enemy side. When her love is discovered, she is shamed and silenced by her family and society. Today 38 years after the war, Meher has a visitor she cannot turn down.

A one-take observational piece about the microcosm of Islamic practices and class segregation in Bangladesh's capital Dhaka. Multiplicity within a Muslim community and the passage of people through one single frame documents this society's interiors and exteriors.

The culling of dogs and people continues and remains unchallenged.

A boy orphaned at birth grows up making his flower garden, trancing a flower fairy of that garden as his illusioned mother. Like a fresh flower, he scents the world inside him apart from the realities of society. But when his flower is plucked eventually by the force of his fate, he discovers friendship, love, passion and finally hatred that drowns him, tearing his petals, under the water.

A boy orphaned at birth grows up making his flower garden, trancing a flower fairy of that garden as his illusioned mother. Like a fresh flower, he scents the world inside him apart from the realities of society. But when his flower is plucked eventually by the force of his fate, he discovers friendship, love, passion and finally hatred that drowns him, tearing his petals, under the water.

An uncut shot of a journey taken to discover the various layers of the relationship between man and nature and the different perceptions of reality within two full circles. The short film storytelling technique exploits the strength of non-diegetic sound elements and explores the freedom of framing techniques.

Shimu, 23, works in a clothing factory in Dhaka, Bangladesh. Faced with difficult conditions at work, she decides to start a union with her co-workers. Despite threats from the management and disapproval of her husband, Shimu is determined to go on. Together the women must fight and find a way to register their union.

A one-take observational piece about the microcosm of Islamic practices and class segregation in Bangladesh's capital Dhaka. Multiplicity within a Muslim community and the passage of people through one single frame documents this society's interiors and exteriors.

The culling of dogs and people continues and remains unchallenged.

A farewell to the generation who grew up making 35mm movies. We watch a mock attempt to produce the last celluloid film in Bangladesh investigating the emotion and nostalgia for the good old days of celluloid cinema that have faded into obsolescence.