Anita Leandro

In Rome, in June 1979, the International Conference for Amnesty in Brazil is filmed, a major gathering of the Brazilian left in exile. Viewed in the present day, this archive revisits with rare vitality the question of political strategies in the face of state repressive apparatuses.

Among the many victims of the military dictatorship that raged in Brazil from 1964 to 1985, a small group of guerilla fighters – Chael, Roberto, Reinaldo and Dora – got arrested, tortured, some of them killed or forced into exile. Before and after their arrest, during their torture sessions, the police photographed them. Together with the official reports, these photos are the material Anita Leandro worked on from the inside to bring these four people’s fate out of oblivion.

In Rome, in June 1979, the International Conference for Amnesty in Brazil is filmed, a major gathering of the Brazilian left in exile. Viewed in the present day, this archive revisits with rare vitality the question of political strategies in the face of state repressive apparatuses.

In Rome, in June 1979, the International Conference for Amnesty in Brazil is filmed, a major gathering of the Brazilian left in exile. Viewed in the present day, this archive revisits with rare vitality the question of political strategies in the face of state repressive apparatuses.

Among the many victims of the military dictatorship that raged in Brazil from 1964 to 1985, a small group of guerilla fighters – Chael, Roberto, Reinaldo and Dora – got arrested, tortured, some of them killed or forced into exile. Before and after their arrest, during their torture sessions, the police photographed them. Together with the official reports, these photos are the material Anita Leandro worked on from the inside to bring these four people’s fate out of oblivion.

Among the many victims of the military dictatorship that raged in Brazil from 1964 to 1985, a small group of guerilla fighters – Chael, Roberto, Reinaldo and Dora – got arrested, tortured, some of them killed or forced into exile. Before and after their arrest, during their torture sessions, the police photographed them. Together with the official reports, these photos are the material Anita Leandro worked on from the inside to bring these four people’s fate out of oblivion.