Claus Peymann

The Vienna State Opera on Thursday before the Carnival. As every year the large ball rather is attended by celebrities from politics and the media. Just the arrival of newcomers is finished and the Polonaise faded as it is in the best tradition: "Alles Walzer". transferred with 20 cameras live throughout the world. Television journalist Fraser (Heiner Lauterbach) views the event from the control room, outside in the hall leads his son has one of the cameras. Suddenly all hell breaks loose: poison gas flows from hidden containers, hundreds of guests die in agony, millions of horrified spectators experience it on the TV screen...

Documentary portrait of the actress Romy Schneider, in which director Frederick Baker tries to form an overall picture from the facets of image, myth, real life and screen persona.

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No synopsis available yet.

Claus Peymann's production of Schiller's play about oppression, rebellion and human rights is less a flaming political appeal than a subtle exploration of human behavior in a social conflict.

Four actors analyze the nature of theatre for an hour and then alternately insult the audience and praise its “performance.” TV recording of the premiere at the "Theater am Turm" in Frankfurt/Main.

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No synopsis available yet.

No synopsis available yet.

Heldenplatz centers on a Jewish family in the Vienna of 1988. The main character, Professor Josef Schuster, a mathematician, who can no longer stand the anti-Semitism he still finds in Austria 50 years after the Anschluss – commits suicide by jumping out of his apartment window onto the historic Heldenplatz before the play begins.

The bark-beetle has invaded the big forest of the general, just as a fatal illness has into the body of its owner. The general is suffering from eye cataract, preventing him from seeing the symptoms of the trees' decline, just as he is unable to see his own rottening. His wife and the writer discuss these circumstances for two scenes, until the general discovers the fact himself in the third one. Now he is going to take appropriate action.

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No synopsis available yet.

Ritter, Dene, Voss is a stage play by Thomas Bernhard from 1986. After the Premiere the same year at the Salzburger Festspiele under the direction of Claus Peymann, the play was taken into the repertoire of the Burgtheater in Vienna. It was named after the three actors that were to play the roles in the world-premiere: Ilse Ritter, Kirsten Dene and Gert Voss. Thomas Bernhard started off writing it with a note saying "Ritter, Dene, Voss. intelligent actors". The play was inspired by the family of Ludwig Wittgenstein and his (Wittgensteins) nephew Paul, who was a friend of Bernhard and protagonist of his novel "Wittgensteins Nephew" from 1982. This DVD is a 1987 recording from the Akademietheater Vienna with Ilse Ritter, Kirsten Dene and Gert Voss.

Three short plays, reflecting the megalomania and the insecurity, the arrogance and the pusillanimousness, the moralic standards and the real feeling of powerlesness, not only of Peymann but all theater directors, put on stage in a brilliantly satirical way. Produced by the Akademietheater Vienna.

A film based on the Battle of Teutoburg Forest in the year 9 AD between the Romans and a coalition of Germanic tribes.

Der Theatermacher ("The Theatre Maker") is a play by austrian writer Thomas Bernhard. It was released in 1984 and had its world-premiere the following year at the Salzburger Festspiele under Claus Peymann. Centered around main protagonist Bruscon, it is full with allusions to the famous festival in Salzburg. During a break in his latest tour the actor Bruscon tries to stage his play „Das Rad der Geschichte“ ("The wheel of history") in the small village Utzbach. He involves his whole family in the production as actors - wife, daughter and son. The production becomes increasingly difficult with Bruscons heavy mood swings. He turns out as a tyrant, dissatisfied with every detail - from stage to room temperature - and declares that the village is too small for his outstanding piece anyway. During rehearsals he constantly knocks the others down, highlighting himself as the important actor and theatre man.