Marylène Negro

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The emergence of a group. Lighted figures, turned to a light off immediately.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

The film begins to move and a voice says: "Ich sterbe", then : "Je meurs" ("I'm dying"). A movie is said to move when the moves through the projection mechanism. Life is said to move on; there's also moving on for expiring in the sense of dying. A brief and interminable text, said by Chekhov and written by Sarraute, that Negro returns to us on an amnesiac image. This tale goes from Chekhov to Sarraute to Negro up to where we are - a body, before a page, a screen, a face. It's interminable. (Marie Muracciole)

No synopsis available yet.

The emergence of a group. Lighted figures, turned to a light off immediately.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

The film begins to move and a voice says: "Ich sterbe", then : "Je meurs" ("I'm dying"). A movie is said to move when the moves through the projection mechanism. Life is said to move on; there's also moving on for expiring in the sense of dying. A brief and interminable text, said by Chekhov and written by Sarraute, that Negro returns to us on an amnesiac image. This tale goes from Chekhov to Sarraute to Negro up to where we are - a body, before a page, a screen, a face. It's interminable. (Marie Muracciole)

No synopsis available yet.

A whimsical dance of jetés and arabesques movement is an older principe than the humid and blinks in a wild tempo that could last indefinitely and yet it stops at 4 minutes and 55 seconds. It is a series of snapshots, flashes without light that record all the times, the present ticks by and the seasons pass by in fast motion while the tree rids itself inside a round of fog, whether leafy and abounding in branches and ramified leaves or on the other hand light and loose. (Suzanne Doppelt)

Silhouettes appears and disappears on the ganges in Benares (India), a city strongly linked with spirits, time and death.

« A black, metaphysical hole around the face of Mary Magdalene which shifts Freudian psychoanalytical discourse towards the artist’s investigative practice, dualistic between the tenebrous and the (ultimate) radiance of light between the humanity in the filmed face and the eternal divinity of sculpture. » (Matthieu Orléan)

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

A road or a road that leads zero. Through a landscape in a permanent transformation, inexhaustible, unattainable. Deça, further, Elvis ahead at the turn.

"In the grey full of illusions and alarms, in the confusion, they scatter. Anna is called and undoubtedly those who say this palindromic name out loud conjure up a face, a shoulder. They are singing lullabies of days gone by." (Gaelle Obiégly)

Water, fire, air, earth, a suite in four beats and four hands.

In 2010 with the full-length film X+, Marylène Negro takes up a new dimension of human experience : the collectivity. "A Picture of Us". What are the aggregating forces that bring forth this drive - brusque or slow, woven from facts, simplifications and resonances that we can call, always approximately, collective history ? The cinema relentlessly records silhouettes, groups, crowds, masses - fleeting passers-by of a period they are going through, tiny extras of a zeitgeist that carries them along. X+ explores the visual and sound forms of presence thanks to which persist or dissolve the argentic traces of these innumerable figures whose existence forms the tissue of humanity and whose mingled gestures - noticed or unnoticed, make up the supposed "collective" substratum of collective history. X+ attains the very principle of figurativity. (Nicole Brenez)

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No synopsis available yet.

« Given a "spot of nature", a wood, undergrowth and what happens there : nothing, perhaps, but existence, but that is the whole point, and how to grasp it ? » (Jean-Christophe Bailly)

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No synopsis available yet.

No synopsis available yet.

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No synopsis available yet.

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“I am, we are. / We do not need more. / It’s up to us to start.” The energy of the revolutionary people and the words of the revolution, through the history of cinema, from its origins. Reminder: we must take back the Bastille.

From photo to photo, from passage to passage, a navigation powered by a bewitching soundtrack that slowly reveals the soul of this Indian city.

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No synopsis available yet.

It is the revelation, by a letter to Jacques Tourneur, of the face which crosses all his work and gives herself as a feminine, timeless icon.