Acting

Sunalini Devi

Known for

Acting

Credits

10 titles

Known for

Malhar poster
7.0

Two lovers Ratan and Reshmi are torn apart by Reshmi's scheming, cruel brother, Anand. After the death of his father, Anand banishes Ratan from the house and gets Reshmi married to his wealthy friend.

Malhar

1951

The Light of Asia poster
6.5

Living an indolent life in a luxurious palace, Prince Gautama (Rai) is insulated by his family from the harshness of the world outside. But he is destined to learn greater truths: shocked to discover the pain and suffering of so many in his kingdom, he abandons his privileged existence, and his wife Gopa (Seeta Devi), to become a wandering teacher, eventually finding enlightenment and founding Buddhism. Featuring superimposed images and deep-focus shots that were highly impressive for the time, Light of Asia astutely combines a deeply felt spirituality with the surefire attraction of Indian exotica, which helped make it a considerable success in Europe.

The Light of Asia

1925

Zalzala poster
7.0

Bengal's struggle to get rid of British domination by terrorism and underground intrigue.

Zalzala

1952

Tamasha poster
7.0

Fed up of Dilip's involvement with gold digging actress Nayantara, Dilip's uncle pretends to be gravely ill in hopes of guilting him into marrying a decent girl. Dilip convinces reluctant Kiran to pretend to be his fiancée. Dilip and Kiran soon fall in love, and Nayantara decides to intervene.

Tamasha

1952

Nau Bahar poster
8.0

A rich blind man who falls for a poor girl, regains his sight and is forced to marry a wealthy girl whom his father has chosen.

Nau Bahar

1952

We Three poster
9.0

Mehboob presents the autonomous passion of Leela (Rose) for Moti (Motilal) who is promised to another woman, Bina (Maya). Leela is portrayed as irresponsible and impulsive as she acknowledges her desire for Moti and has a child by him. Bina then releases Moti from his promise. Moti suffers when he is told by Bina’s father (Sankantha) that she is dead, while Leela’s father (Pande) enjoins his daughter to commit suicide if Moti does not marry her. In spite of the film’s endorsement of ‘traditional’, lethally oppressive patriarchal mores, incarnated by the women’s fathers, Mehboob’s narrative at least dares to depict a woman who refuses to feel guilty about her desire.

We Three

1938

Film credits

1950s · 5 titles

1930s · 2 titles