John Lacey

Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits - mostly working class, mostly self-educated - adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.

A visual art music/video album created by the members of the industrial/experimental group Throbbing Gristle, Chris Carter and Cosey Fanni Tutti.

A video of live performances by Chris & Cosy with visuals by John Lacey. Recorded during the CTI European tour of 1983. (throbbing-gristle.com)

A visual art music/video album created by the members of the industrial/experimental group Throbbing Gristle, Chris Carter and Cosey Fanni Tutti.

A visual art music/video album created by the members of the industrial/experimental group Throbbing Gristle, Chris Carter and Cosey Fanni Tutti.

A visual art music/video album created by the members of the industrial/experimental group Throbbing Gristle, Chris Carter and Cosey Fanni Tutti.

A video of live performances by Chris & Cosy with visuals by John Lacey. Recorded during the CTI European tour of 1983. (throbbing-gristle.com)