Carl Bosse

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

In Alt-Köstendorf in the Salzburg region, the dean, known as Seelenbräu, and the brewer Hochleithner, known in the village as Leibesbräu, are fighting for supremacy. As their nicknames suggest, Leibesbräu is primarily concerned with the physical well-being of the villagers, while Seelenbräu cares deeply about the faith of his congregation. This leads to repeated clashes between the two men, who could perhaps be described as stubborn. When Hochleitner's niece Clementine leaves the convent and wants to stay at home, a new dispute flares up between Seelenbräu and Leibesbräu.

Franz Schubert toils by day as his father’s clerk while secretly composing in Beethoven’s shadow, gaining little recognition until friends persuade publisher Diabelli to host a public performance where he meets and falls for soprano Therese Grob. Abandoning a teaching career, he moves in with artist and poet friends, finds inspiration for the “Erlkönig,” and together with Therese sustains himself by performing his songs.

The film portrays the assassination of Archduke Franz Ferdinand of Austria in 1914.

The proud grandfather, retired General Count Hardberg, had actually already announced to his comrades that he would be the heir, but the grandson had become a granddaughter. Years later, Antonia had grown into a pretty but vivacious young woman. When the famous Kaiserjäger moved into their quarters at the castle, the cheeky countess had a bit of fun and slipped into her father's uniform. As Cadet Anton, she went along on maneuvers and drove her commander, First Lieutenant Pacher, to despair with her lack of discipline. But when Pacher noticed what an enchanting creature was hiding behind the cadet uniform, his heart was smitten...

Franz Xaver Silvester Pomeisl travels thru the decades looking for the good old times.

Vienna in the year 2032: »Friendly greenish settlements line the city«, skyscrapers are growing in the city center, »but old Steffl is still there and takes on all the high-rise buildings«. In the archives of the City of Vienna, the old archivist tells his grandson how old Vienna tried to oppose the new era a hundred years ago. "Old Vienna" is a conservative, anti-progressive place here, from which social democracy has made a "red island in the sea of capitalism".