Jessica Sarah Rinland

With an elephant’s tusk as the protagonist, the film meditates on the endless tactility of conservation.

Karl, a 70-year-old Austrian astronomer, is at a crossroads in life and work. After a conference in Greece, he decides not to return home and heads for a small island in hopes of finding a sky dark enough to reconnect with the stars.

The Blind Labourer examines the similarities and contrasts within the whaling and lumber industry. It edits together archive footage of labourers in the forests, at sea and in factories, felling trees, cutting whales and developing their multiple products for society and scientific studies.

An unidentifiable image appears and disappears. A voiceover accounts the invisibility of a hole in the middle of a road (poem by Jorge Bucay).

In 1868, Laura Jernegan, a 6 year old girl from Massachusetts, USA set out on a three year whaling voyage to the Pacific Ocean. During this voyage, Laura wrote a journal about her life on the whaling ship. She mainly notes banal daily events, but regularly describes the slaughter of whales in great detail.

Nulepsy: the pathological need to be nude. An elderly man recounts his life story characterised by the rare, exceptional and inconvenient disease he suffers from.

Intimate and fragmented moments unfold in a community of zoos and animal rescue centers across Argentina. As histories of these institutions are uncovered, dedicated workers commit both day and night to caring for the remaining enclosed animals, fostering a mutual bond that transcends imagined boundaries between human and animal.

Intimate and fragmented moments unfold in a community of zoos and animal rescue centers across Argentina. As histories of these institutions are uncovered, dedicated workers commit both day and night to caring for the remaining enclosed animals, fostering a mutual bond that transcends imagined boundaries between human and animal.

Intimate and fragmented moments unfold in a community of zoos and animal rescue centers across Argentina. As histories of these institutions are uncovered, dedicated workers commit both day and night to caring for the remaining enclosed animals, fostering a mutual bond that transcends imagined boundaries between human and animal.

The film uses natural history footage—human desire, spermatozoa, even cellular division—and sensual contemporary shots to dazzling effect. Is it mitosis or meiosis going on in there? Hard to tell, but either way, reproduction is a theme entirely at one with the band’s carnal sound.

With an elephant’s tusk as the protagonist, the film meditates on the endless tactility of conservation.

With an elephant’s tusk as the protagonist, the film meditates on the endless tactility of conservation.

Filmed between September and November 2015 in Península Valdés, in the Argentine Patagonia while living with a group of biologists who study southern right whales. During these months the whales migrate to the peninsula to breed, some stranding onto the shores.

Artist-filmmaker Jessica Sarah Rinland presents Black Pond, a film that explores the activity within a common land in the south of England. Previously occupied by the 17th century agrarian socialists The Diggers, the land is currently inhabited by a Natural History Society whose occupations include bat and moth trapping, mycology, tree measuring and botanical walks. After two years of filming on the land, the footage was shown to the members of the Society. Their memories and responses were recorded and subsequently used as part of the film’s narration. The film does not offer a comprehensive record of the history of humans within the area. Instead, it explores more intimately, human’s relationship with and within land and nature.

Adeline For Leaves explores nature, science and mythology through the eyes of an eleven-year-old botanical prodigy and her recently deceased, elderly mentor.

Adeline For Leaves explores nature, science and mythology through the eyes of an eleven-year-old botanical prodigy and her recently deceased, elderly mentor.

Adeline For Leaves explores nature, science and mythology through the eyes of an eleven-year-old botanical prodigy and her recently deceased, elderly mentor.

" It must wait until the breath voluntarily leaves its body, even though it sometimes gazes at me with a look of human understanding, challenging me to do the thing of which both of us are thinking. " - Description of a Struggle: Franz Kafka

The whale forever exists, like utopia, as a parable, a myth, and a nightmare – caught between the wide open ocean and our two-dimensional confinement, between reality and imagination. We Account the Whale Immortal, an ever-changing film and a one off performance, explores the arrival of three mythic whales in the Thames, from the 17th to the 21st century, as evocative emblems of utopian intent.

Puerta a Puerta records the preparation of a shipment in the United States and its attendant unboxing in Venezuela.

Puerta a Puerta records the preparation of a shipment in the United States and its attendant unboxing in Venezuela.

Garbiñe Ortega, Artistic Director of Punto de Vista, came up with the idea of creating a collective audiovisual project in which several filmmakers would make a filmed letter addressed to another filmmaker they did not know personally and who was as far as possible from their own cinema. This is how THE LETTERS THAT WEREN'T AND ALSO ARE was born. The result is an exciting journey through their affinities, their admiration and their creative processes.

Sol de Campinas traces the work of archaeologists who, for the past ten years, have been excavating a ring of mounds surrounding a central plaza within a territory currently known as the State of Acre, Brazil. They transition from field to laboratory, interpreting how the land was constructed, what patterns were employed in settlement land use, and the composition of the anthropogenic earth that remains.

Sol de Campinas traces the work of archaeologists who, for the past ten years, have been excavating a ring of mounds surrounding a central plaza within a territory currently known as the State of Acre, Brazil. They transition from field to laboratory, interpreting how the land was constructed, what patterns were employed in settlement land use, and the composition of the anthropogenic earth that remains.

The Blind Labourer examines the similarities and contrasts within the whaling and lumber industry. It edits together archive footage of labourers in the forests, at sea and in factories, felling trees, cutting whales and developing their multiple products for society and scientific studies.

The Blind Labourer examines the similarities and contrasts within the whaling and lumber industry. It edits together archive footage of labourers in the forests, at sea and in factories, felling trees, cutting whales and developing their multiple products for society and scientific studies.

The Blind Labourer examines the similarities and contrasts within the whaling and lumber industry. It edits together archive footage of labourers in the forests, at sea and in factories, felling trees, cutting whales and developing their multiple products for society and scientific studies.