Nicolas Thomé Zetune

Ingra's faith is shaken when she realizes she is being haunted by her criminal past.

Obstinate Daniel’s grumpiness is evident. He really doesn’t want to accompany his mother to an oncology conference. However, an unexpected meeting makes it an interesting weekend after all. Shot on grainy film stock, with camera work as uncompromising as Daniel is.

Marta and Maria mourn the death of their brother Lázaro. A group of Jews try to comfort Maria while Marta leaves to meet Jesus. The disciples try to warn their master about the dangers of returning to Judea. Nearby, a miracle is about to happen.

I just arrived from the future, and people still go to the movies there. Thinking about it, maybe it's better to start like this: I just arrived from the future, and people still go to the movies there.

"Last year, December 1st, my friend called me saying he was going to kill himself."

"My father told me I was ill."

Ingra's faith is shaken when she realizes she is being haunted by her criminal past.

Ingra's faith is shaken when she realizes she is being haunted by her criminal past.

Ingra's faith is shaken when she realizes she is being haunted by her criminal past.

Obstinate Daniel’s grumpiness is evident. He really doesn’t want to accompany his mother to an oncology conference. However, an unexpected meeting makes it an interesting weekend after all. Shot on grainy film stock, with camera work as uncompromising as Daniel is.

Marta and Maria mourn the death of their brother Lázaro. A group of Jews try to comfort Maria while Marta leaves to meet Jesus. The disciples try to warn their master about the dangers of returning to Judea. Nearby, a miracle is about to happen.

I just arrived from the future, and people still go to the movies there. Thinking about it, maybe it's better to start like this: I just arrived from the future, and people still go to the movies there.

"Last year, December 1st, my friend called me saying he was going to kill himself."

"My father told me I was ill."

"My father told me I was ill."

Jair’s courtship is over.

"Passion during monster attacks."

"Do you think we will be able to be apart from each other?"

"Do you think we will be able to be apart from each other?"

Clinical case: G. is a 38-year-old actor and his grandmother died with symptoms that prevented her from sleeping. He leaves Lisbon and returns to his small hometown in Brazil where he is haunted by a cursed inheritance and his forbidden first love, W.

One street and one couple.

One street and one couple.

In Sao Paulo, Janaína and João take care of each other. She has epilepsy. He is in a relationship with a man who prefers to keep his distance. Above their lives floats the vague trauma of a mudslide that may have buried men and machines alike. Together, they try to protect their bodies from the evil that seems to spread like a fever.

Projectors, films and light fixtures comprise a system subjected to repetition, wear and continuous observation. In Lux, light is treated as matter, index and vestige of the cinematographic device itself. The investigation remains open, rejecting any definitive diagnosis.

Some trees and some snow.

"Happiness can be found even in the darkest hours, if we remember to turn on the light."

"Happiness can be found even in the darkest hours, if we remember to turn on the light."

"Happiness can be found even in the darkest hours, if we remember to turn on the light."

Among ruptures of memories, geographical and affective displacements, we revisited with Bruno the incursion into a city full of noise but that still emits a minimal murmur of love.

Among ruptures of memories, geographical and affective displacements, we revisited with Bruno the incursion into a city full of noise but that still emits a minimal murmur of love.