Acting

Mitsuko Sawamura

Born 1941-12-01

Acting credits

The Teahouse of the August Moon poster
6.2

In post-WWII Japan, an American captain is brought in to help build a school, but the locals want a teahouse instead.

The Teahouse of the August Moon

1957

Meet Me in Las Vegas poster
4.5

Chuck Rodwell is a gambling cowboy who discovers that he's lucky at the roulette wheel if he holds hands with dancer Marie. However, Marie doesn't like to hold hands with him, at least not in the beginning...

Meet Me in Las Vegas

1956

Cheerful Detective poster
NR

After graduating from detective school, Achao and Entaro received their certificates and launched a private detective agency. One night, while investigating Otoyo, the wife of a soba shop owner, the two went to the basement of a theater and unexpectedly stumbled upon the murder of model Ranko Nemoto. Using the earring she was wearing as a clue, they began their investigation.

Cheerful Detective

1954

Anmitsu hime: Amakara shiro no maki poster
NR

No synopsis available yet.

Anmitsu hime: Amakara shiro no maki

1954

Operation Teahouse poster
6.5

This short promotional film provides a behind-the-scenes look at "The Teahouse of the August Moon" (1956).

Operation Teahouse

1956

Oyae no hatsukoi sensei poster
NR

A hilarious comedy where newly appointed teacher Oyae shows off her unusual plays as she fights alone against a group of five bad boys.

Oyae no hatsukoi sensei

1959

Season of Affairs poster
NR

Shozo, a personnel manager nearing retirement, had three daughters around their age. The eldest daughter, Naoko, is the brilliant type, the second daughter, Maki, is the manly type, and the third daughter, Momoko, is the tomboyish type.

Season of Affairs

1959

The End of Love poster
NR

A leading postwar Japanese film critic and theorist who co-founded the seminal film magazine Eiga Hihyo (Film Criticism) in 1957, Eizo Yamagiwa made his directorial debut with this independent feature—long thought lost until a negative was recently discovered—about a group of idle bourgeois students known as the “Roppongi Tribe” (Roppongi zoku). Depicting the resignation and nihilism of the postwar generation in the years following the Anpo Treaty conflicts through a coming-of-age narrative, Yamagiwa offers sharp criticism of the prevalent characterizations of Japan's new youth offered by Nikkatsu's taiyozoku (“Sun Tribe”) films and the New Wave at large.

The End of Love

1961

おヤエの女中の大将 poster
NR

No synopsis available yet.

おヤエの女中の大将

1959