Chan Kin-Long

A gang of South Korean thieves team up with a Hong Kong crew to steal a diamond necklace from a heavily-guarded casino safe in Macau. As the cops close in, old betrayals — and misunderstandings — resurface.

Studying in Hong Kong but living in Shenzhen, Peipei has spent 16 years in her life travelling between these two cities. To realize the dream of seeing snow in Japan with her bestie, Peipei joins a smuggling gang and uses her student identity to smuggle iPhones from Hong Kong to Mainland. Her family life and friendships begin to fall apart. The daily life of Peipei starts to get out of control.

An anarcho-absurdist blood-soaked grand guignol indie flick with attitude to burn, this is the pitch perfect youth movie from Hong Kong. A twenty-something punk fancies himself a total player, but the best job he can find is overnight clerk at a convenience store. The other clerk is a cute chick and you’re thinking “rom com,” but then there’s a robbery, a gangster, a shoot-out, and by the time a neighbor is pulling out a homemade bomb, you realize that this violent farce is all about the current situation in Hong Kong where nothing makes sense, the heartless wipe their feet on the hopeless, and you might as well burn it all down because there are no more better tomorrows.

Former cop-turned-bar owner Kwok and his underachieving half-brother befriends a drunken woman, they soon find themselves targeted by both her former lover, a high-powered attorney, and the gangster he employs. A suitcase full of tainted cash enters the picture as Kwok finds himself torn between the gangsters and his former colleagues.

On a night just like any other, a minibus full of passengers drives through a tunnel and arrives in another dimension; the eclectic group of passengers seek refuge in a deserted cafe and make a horrific discovery.

Based on a real murder case where a dismembered corpse of a murdered 16-year-old prostitute girl was found in Hong Kong in 2008.

Reckless police inspector Sai Gau (Zhang Jin) is on a mission to crack down on criminal Shing's (Shawn Yue) gold smuggling scheme, yet fails to arrest him. As Sai Gau continues his manhunt, he discovers Shing's involvement with triad boss Blackie (Yasuaki Kurata), who hides on a casino cruise ship on the high seas. Shing has been involved in a power struggle within the smuggling ring, and is forced to kill his adopted father. He also loses his share of gold smuggling to Blackie. To get even, Shing appears on the cruise, while Sai Gau is there to hunt for him.

A man kills his friend with the only bullet of his gun after they have been trapped on a hillside under a cliff without food and water for 11 days.

The movie is based on a true story about a repented gangster preaching the word of God and guiding his brotherhood to turn over a new leaf. Chen once was the leader of the famous gang "The 13 Tsz Wan Shan", he lost his family, lovers, brothers and finally ended up imprisoned for his drug abuse and trafficking. After jail, he devoted himself to save the lost fellows and was selected as "The JCI Hong Kong Ten Outstanding Young Persons". Being respected by the world, Chen is always asked to solve the most difficult situations between evil and good. People give him a nickname "The Fixer". However, there are two sides of a coin, Chen can work out any problem of others, but he does not know how to deal with his personal knot with his love, with whom he has had guilty conscience all his life. Can he fix it eventually?

On the night before Yuet's wedding, best friends Nam and Yuet recall their time together in school, when they shared a relationship that was more than friendship, but also perhaps not quite love.

Four young lives were changed forever when they become involved in the 1967 Hong Kong Leftist Riot; half a century later, another four face similar challenges amidst the Mainland-Hong Kong conflict.

Making a living from selling cheap wedding supplies doesn't free Fong from pressure to marry. She's been pushed beyond limits by unaffordable housing, archaic customs, and intrusive in-laws since engagement. More worrying is the comeback of a mainlander she's supposed to divorce out of a sham marriage.

Room 12 is a place where people leave their final wills. A boy arrives at Room 12 and meets the owner of the place. They have a strange encounter and each of them understand more about what the other is thinking about.

Matt, a mute bounty hunter, arrives at a jazz bar where he meets the bar owner who not only knows everything about him, but also his arrest warrant with a very high bounty. Matt originally is after his target and his family but fate drags him into the infighting of the corrupted governors. He and the orphan of his target face tedious situations and finally continue their journey in the wild wide west.

When Hei-ji finds out that Mimi hands a love letter to Sam, a charming and handsome guy, he couldn’t help but feel hear tbroken and shattered. Should he just let her go or should he fight for her? On the eve of the Mid-Autumn Festival, Hei-ji finally overcomes all difficulties and fulfils Mimi’s wish. He even gathers up his courage and asks about the love letter.

Pak-kiu works as a gaffer while waiting for his first break in front of the camera. An inviting target of ridicule, he remains unwavering that he will rise above the sordid realities of the glamorous world of film-making with his determination to be a proper actor rather than a star. So when he is offered a bit part as a cancer patient in a new film, he jumps at the chance to practise method acting, literally getting into his character and inhabiting him through claiming membership of a support group, which reunites him with an old classmate. However, the reunion, shrouded in a façade of altruistic motive, leaves him ill-prepared for a role in real life that is not so easily dismissed as a character in the script...

Love, is always a complicated theme. He thought he had forgotten her, yet he didn't. Finally, he and she meet again, however, it's too late. She is engaged. And he has become her wedding photographer. She thought she had let him go,yet she didn't. He is still in her heart. Will love go on, or way back? It's complicated.

Woody, an average salaryman, is invited to go to Broken Dream Club every Thursday by his superior Michael. The club is a social meeting held for those who suffer from depression and are unable to fulfill their dream. Led by a bewitching therapist Lily, Woody encounters a group of eccentric people, for example, a football enthusiast who lost his legs, and of course, Michael, a single dad who raised his daughter only to lose her in a car accident. Woody finds it confusing whether to take a role as an outsider or to seek for relief like everyone else. The film constantly makes use of Brechtian effect to explore the interior of each character.

No synopsis available yet.

“I want to marry myself!” To plan for a solo wedding, to marry myself, to declare my forever love for myself to the world! Attractive comedienne Ping vows to become a viral Youtuber. She concocts a plan to put on a show of marrying herself in what was meant to secure both money and likes! However, the scam ultimately ended up in the discovery of her true self in this coming-of-age fairy tale comedy. To love others, I must love myself. Simple enough, right? But who am I? In a pageant of love, four contest as lovers, each one goodhearted in their own right. Does Ping want all four or none at all? By marrying herself, can she figure out who she really is? And who she really loves? Ping will tell it all on the day of the solo wedding… In this satire of marriage and the individual self, nothing is left untouched: women, men, organised religion, homosexuality, the filthy rich, not to mention ye good old mother! Love yourself in Say I do to me, won’t you?

Chan Ka Sing, Choi Kai Kwong and Lee Yuk Lan had been best friends since they were young. They hung out all the time at the lighthouse. Everything was fine until Ka Sing and Kai Kwong both fell in love for Yuk Lan. Compared to ambitious Kwong, Yuk Lan chose Ka Sing.

Art imitates life in this charming short about the fictional actress LilyMoon. With a chance encounter and a lost autobiographical manuscript, a bartender becomes acquainted with the retired screen star. Their friendship blossoms as LilyMoon reminisces about her past including her life as a sought-after actor, non-existent childhood and memories of first love. Eventually, the young and well-meaning bartender helps to relieve LilyMoon's pent-up feelings of sadness and encourages her to meet a long-lost lover.

A retired British Chinese soldier, a young South Asian man, an encounter at Chungking Mansions. Coincidentally, they both offended the same gang boss. What has given them a new lease of life and how do they rediscover themselves through each other's company.

A retired British Chinese soldier, a young South Asian man, an encounter at Chungking Mansions. Coincidentally, they both offended the same gang boss. What has given them a new lease of life and how do they rediscover themselves through each other's company.

Pak-kiu works as a gaffer while waiting for his first break in front of the camera. An inviting target of ridicule, he remains unwavering that he will rise above the sordid realities of the glamorous world of film-making with his determination to be a proper actor rather than a star. So when he is offered a bit part as a cancer patient in a new film, he jumps at the chance to practise method acting, literally getting into his character and inhabiting him through claiming membership of a support group, which reunites him with an old classmate. However, the reunion, shrouded in a façade of altruistic motive, leaves him ill-prepared for a role in real life that is not so easily dismissed as a character in the script...

Pak-kiu works as a gaffer while waiting for his first break in front of the camera. An inviting target of ridicule, he remains unwavering that he will rise above the sordid realities of the glamorous world of film-making with his determination to be a proper actor rather than a star. So when he is offered a bit part as a cancer patient in a new film, he jumps at the chance to practise method acting, literally getting into his character and inhabiting him through claiming membership of a support group, which reunites him with an old classmate. However, the reunion, shrouded in a façade of altruistic motive, leaves him ill-prepared for a role in real life that is not so easily dismissed as a character in the script...