Craig Richardson

A reporter doing a story on taxidermy discovers an odd older couple that he becomes convinced are ex-Nazi's. The chief item leading to this belief is an odd puppet theater the couple operate in their basement that re-creates the Nazi era using stuffed creatures.

Television journalist Quentin Springer has two obsessions: first, he wants to help his schizophrenic nephew by making video recordings of his life; and second, he dreams of carrying out a "perfect crime".

A reporter doing a story on taxidermy discovers an odd older couple that he becomes convinced are ex-Nazi's. The chief item leading to this belief is an odd puppet theater the couple operate in their basement that re-creates the Nazi era using stuffed creatures.

A reporter doing a story on taxidermy discovers an odd older couple that he becomes convinced are ex-Nazi's. The chief item leading to this belief is an odd puppet theater the couple operate in their basement that re-creates the Nazi era using stuffed creatures.

Television journalist Quentin Springer has two obsessions: first, he wants to help his schizophrenic nephew by making video recordings of his life; and second, he dreams of carrying out a "perfect crime".

Television journalist Quentin Springer has two obsessions: first, he wants to help his schizophrenic nephew by making video recordings of his life; and second, he dreams of carrying out a "perfect crime".

Television journalist Quentin Springer has two obsessions: first, he wants to help his schizophrenic nephew by making video recordings of his life; and second, he dreams of carrying out a "perfect crime".