Miguel Moraes Cabral

A crew is shooting a libertine costume film in the countryside when Valentin, the director, suddenly disappears. While the local police investigates, the film shoot continues but takes an odd turn. Robin, the cameraman and director’s lover, follows a promise and reaches the Mexican Pacific.

In love with Trás-os-Montes and with his Guide of Portugal as a source of inspiration, Miguel looks for stories for his new documentary. One day, the appearance of a man riding a donkey changes his future.

For two years, we filmed in an ancient convent of the seventeenth century, which houses the Conservatory of Music of Lisbon. Moved by our love for this anachronistic place, for the music that is played there and for the richness of its teaching, Il Sogno mio d'amore immerses us into the universe of the transmission of music between teachers and pupils. Sounds and words mingle with gestures, form a unique language and reveal what is most profound in the human being: the expression of his sensibility.

From archival images, an improbable story is woven of a boy who couldn't stop crying, creating both floods and paradises.

Jorge is a knife-sharpener. Despite being old and retired, he still keeps on working. Even health is not on his side, but this doesn’t seem to stop him. He drives down the streets with his motorcycle loaded with the trade’s tools day in and day out. Along the way he meets people he has known for years; he relives the past with them and looks concerned at the future, which seems to want to erase them.

Long, observational shots of people and animals going about their activities in the landscape surrounding a gigantic, ever-growing landfill site prompt reflection on the traces we as humans leave behind on our planet.

In love with Trás-os-Montes and with his Guide of Portugal as a source of inspiration, Miguel looks for stories for his new documentary. One day, the appearance of a man riding a donkey changes his future.

In love with Trás-os-Montes and with his Guide of Portugal as a source of inspiration, Miguel looks for stories for his new documentary. One day, the appearance of a man riding a donkey changes his future.

For two years, we filmed in an ancient convent of the seventeenth century, which houses the Conservatory of Music of Lisbon. Moved by our love for this anachronistic place, for the music that is played there and for the richness of its teaching, Il Sogno mio d'amore immerses us into the universe of the transmission of music between teachers and pupils. Sounds and words mingle with gestures, form a unique language and reveal what is most profound in the human being: the expression of his sensibility.

For two years, we filmed in an ancient convent of the seventeenth century, which houses the Conservatory of Music of Lisbon. Moved by our love for this anachronistic place, for the music that is played there and for the richness of its teaching, Il Sogno mio d'amore immerses us into the universe of the transmission of music between teachers and pupils. Sounds and words mingle with gestures, form a unique language and reveal what is most profound in the human being: the expression of his sensibility.

From archival images, an improbable story is woven of a boy who couldn't stop crying, creating both floods and paradises.

From archival images, an improbable story is woven of a boy who couldn't stop crying, creating both floods and paradises.

Jorge is a knife-sharpener. Despite being old and retired, he still keeps on working. Even health is not on his side, but this doesn’t seem to stop him. He drives down the streets with his motorcycle loaded with the trade’s tools day in and day out. Along the way he meets people he has known for years; he relives the past with them and looks concerned at the future, which seems to want to erase them.

Jorge is a knife-sharpener. Despite being old and retired, he still keeps on working. Even health is not on his side, but this doesn’t seem to stop him. He drives down the streets with his motorcycle loaded with the trade’s tools day in and day out. Along the way he meets people he has known for years; he relives the past with them and looks concerned at the future, which seems to want to erase them.

Jorge is a knife-sharpener. Despite being old and retired, he still keeps on working. Even health is not on his side, but this doesn’t seem to stop him. He drives down the streets with his motorcycle loaded with the trade’s tools day in and day out. Along the way he meets people he has known for years; he relives the past with them and looks concerned at the future, which seems to want to erase them.

Long, observational shots of people and animals going about their activities in the landscape surrounding a gigantic, ever-growing landfill site prompt reflection on the traces we as humans leave behind on our planet.