
Visual Effects
Sheila Graber
Known for
Visual Effects
Credits
40 titles
Sheila Graber (born 1940) is a British animator, artist and Visiting Professor at the University of Sunderland. She animated the children's television series Paddington, has taught in schools and universities, and has won numerous awards.
Known for
NRA pastel animation produced by Sheila Graber based on the Victorian ballad by the English poet Alfred, Lord Tennyson. With commentary by Francis Carr the film loosely tells the Arthurian legend of Elaine of Astolat, a woman living in isolation inside a tower who sees the world through the reflections in a mirror.
The Lady of Shalott
1976
NRA short Sheila Graber cut out animation of the songs "I Am the Monarch of the Sea" & When I Was a Lad" from Gilbert & Sullivan's H.M.S. Pinafore.
The Monarch of the Sea
1975
NRThe South Shields-born animator Sheila Graber looks at the growing gender bias in toys for girls and boys. At the stroke of midnight on Christmas Eve, monster killing machines and robots fight each other and toy soldiers in khaki battle against pink clad, cute dolls, threatened animals and fairies. The toys gradually find their traditional roles reversed and harmony returns to the fictional killing fields of a Christmas home.
Toys Will Be Toys
1988
A short Sheila Graber cut out animation of the song "When I Went to the Bar" from Gilbert & Sullivan's Iolanthe.
When I Went to the Bar
1973
Travel through a history of transport by land, sea and air at a delirious speed.
Moving On
1976
NRA short Sheila Graber cut out animation of the songs "When the Foeman Bares His Steel" and "When a Felon's Not Engaged in His Employment" from Gilbert & Sullivan's Pirates of Penzance.
When the Foeman Bares His Steel
1972
Behind the camera
NRA pastel animation produced by Sheila Graber based on the Victorian ballad by the English poet Alfred, Lord Tennyson. With commentary by Francis Carr the film loosely tells the Arthurian legend of Elaine of Astolat, a woman living in isolation inside a tower who sees the world through the reflections in a mirror.
The Lady of Shalott
1976
NRA pastel animation produced by Sheila Graber based on the Victorian ballad by the English poet Alfred, Lord Tennyson. With commentary by Francis Carr the film loosely tells the Arthurian legend of Elaine of Astolat, a woman living in isolation inside a tower who sees the world through the reflections in a mirror.
The Lady of Shalott
1976
NRA pastel animation produced by Sheila Graber based on the Victorian ballad by the English poet Alfred, Lord Tennyson. With commentary by Francis Carr the film loosely tells the Arthurian legend of Elaine of Astolat, a woman living in isolation inside a tower who sees the world through the reflections in a mirror.
The Lady of Shalott
1976
NRA short Sheila Graber cut out animation of the songs "I Am the Monarch of the Sea" & When I Was a Lad" from Gilbert & Sullivan's H.M.S. Pinafore.
The Monarch of the Sea
1975
NRThe South Shields-born animator Sheila Graber looks at the growing gender bias in toys for girls and boys. At the stroke of midnight on Christmas Eve, monster killing machines and robots fight each other and toy soldiers in khaki battle against pink clad, cute dolls, threatened animals and fairies. The toys gradually find their traditional roles reversed and harmony returns to the fictional killing fields of a Christmas home.
Toys Will Be Toys
1988
NRThe South Shields-born animator Sheila Graber looks at the growing gender bias in toys for girls and boys. At the stroke of midnight on Christmas Eve, monster killing machines and robots fight each other and toy soldiers in khaki battle against pink clad, cute dolls, threatened animals and fairies. The toys gradually find their traditional roles reversed and harmony returns to the fictional killing fields of a Christmas home.
Toys Will Be Toys
1988
NRThe South Shields-born animator Sheila Graber looks at the growing gender bias in toys for girls and boys. At the stroke of midnight on Christmas Eve, monster killing machines and robots fight each other and toy soldiers in khaki battle against pink clad, cute dolls, threatened animals and fairies. The toys gradually find their traditional roles reversed and harmony returns to the fictional killing fields of a Christmas home.
Toys Will Be Toys
1988
A short Sheila Graber cut out animation of the song "When I Went to the Bar" from Gilbert & Sullivan's Iolanthe.
When I Went to the Bar
1973
Travel through a history of transport by land, sea and air at a delirious speed.
Moving On
1976
NRA short Sheila Graber cut out animation of the songs "When the Foeman Bares His Steel" and "When a Felon's Not Engaged in His Employment" from Gilbert & Sullivan's Pirates of Penzance.
When the Foeman Bares His Steel
1972
NRThe do’s and don’ts of pet care explained by a cute cartoon guinea pig created by celebrated British animator Sheila Graber.
I Guinea Pig
1983
Animated short film of Michelangelo set to Beethoven Symphony No. 5 - I. Allegro con brio.
Michelangelo
1976
Animated short film of Michelangelo set to Beethoven Symphony No. 5 - I. Allegro con brio.
Michelangelo
1976
Considers Darwin’s theory of evolution by natural selection, from a single cell and beyond.
Evolution
1980
NRA pastel animation produced by Sheila Graber and based upon the short story by Sid Chaplin. Narrated by north east broadcaster Mike Neville the film tells the story of Geordie, a miner, and his love for his pigeons and the trials and tribulations of his passion which is very popular around the region. The face of Sid Chaplin is used as Geordie.
The Pigeon Cree
1986
NRA pastel animation produced by Sheila Graber and based upon the short story by Sid Chaplin. Narrated by north east broadcaster Mike Neville the film tells the story of Geordie, a miner, and his love for his pigeons and the trials and tribulations of his passion which is very popular around the region. The face of Sid Chaplin is used as Geordie.
The Pigeon Cree
1986
A very brief history of time, and how it has been measured from the dawn of time to the dawn of digital watches.
Marking Time
1978
A very brief history of time, and how it has been measured from the dawn of time to the dawn of digital watches.
Marking Time
1978
Commissioned by Nerys Johnson curator of DLI Museum show HEAD HELMET in 1982. Using animated modeling superimposed on film of Moore’s own sculpture: combined with shells/flints/pebbles/ fingers. The film tries to catch the heart of Moore’s unique, yet universal, creative process. Starting from shells and pebbles held in his hand to the huge monumental sculptures we know him for. Chronologically the works are shown as produced from his earliest ‘Mother & Child’ to one produced in ‘81.
Henrymoore
—
NRA dog on holiday is shocked to discover his kennel has been burgled. He learns about the ways in which he can protect his home through the Good Neighbours Scheme.
Be a Good Neighbour
1977
NRA dog on holiday is shocked to discover his kennel has been burgled. He learns about the ways in which he can protect his home through the Good Neighbours Scheme.
Be a Good Neighbour
1977
NRA dog on holiday is shocked to discover his kennel has been burgled. He learns about the ways in which he can protect his home through the Good Neighbours Scheme.
Be a Good Neighbour
1977
Made in 1973 as an early experiment in 3D animation using Super 8 film. Sheila loved the song, so timed it with a stop watch frame by frame, and animated to the timings at 24 frames per second. The section of Little Jackie Paper growing up gained approval from her local cine club, encouraging her to go on to make a lifetime’s career from animation.. but unlike Jackie she kept her love of Dragons and Fun!
Puff the Magic Dragon
1973
NRA short Christmas animation produced by Sheila Graber based on the traditional carol ‘The Twelve Days of Christmas’. The film focuses on Santa Claus as he introduces each of the twelve days to comic effect.
The 12 Days of Christmas
1975
NRA short Christmas animation produced by Sheila Graber based on the traditional carol ‘The Twelve Days of Christmas’. The film focuses on Santa Claus as he introduces each of the twelve days to comic effect.
The 12 Days of Christmas
1975
A series of Mondrian painting animated to Boogie Woogie music and assembled by an animated version of the artist himself.
Mondrian
1978
A series of Mondrian painting animated to Boogie Woogie music and assembled by an animated version of the artist himself.
Mondrian
1978
A young pup dreams of a long lineage of pampered breeds and teaches new owners about his desired doggie domain as a pet.
I Dog
1983
NRAnimated short where a tiny plasticine fiddle-playing ghost shares his graveyard with other friendly ghosts, witches and skeletons, until the devil himself appears.
Dance Macabre
1982
8.0A short animated history of the works of William Blake.
William Blake and the Poet's Journey
1979
NRUsing a smudge-and-click pastel animation technique, traces the history of a life from cradle to grave.
Face to Face
1980
NRUsing a smudge-and-click pastel animation technique, traces the history of a life from cradle to grave.
Face to Face
1980
NRUsing a smudge-and-click pastel animation technique, traces the history of a life from cradle to grave.
Face to Face
1980
NRA short Sheila Graber cut out animation of the song "I am the Very Model of a Modern Major General" from Gilbert & Sullivan's Pirates of Penzance.
I am the Very Model of a Modern Major General
1974
Set to Vivaldi’s ‘Winter’ the film uses continuous animation of Leonardo’s sketch book drawings to catch and follow Leonardo’s deep and integrated exploration of both ‘art’ and ‘science’ His numerous inventions, from flying machines to rockets; his study of both aerial and linear perspective: his botanical and anatomical studies are all covered: welded together in one continual flowing action which symbolises the Master’s own single-minded sense of universal purpose.
Leonardo Da Vinci
1982
A quick-fire cartoon day in the life of a news crew, from scoop to broadcast.
Inside Look North
1977
A flute playing cat leads a band composed of animals. The animated images accompany a recording of 'Eye Level'. Cats, mice, tigers, monkeys, camels, penguins, birds, as well as, a bear, a cheetah, an elephant, and a seagull appear with stop-clock precision to play instruments featured in the recording at appropriate points in the sound track. The flute-playing cat vies with a lion bandmaster in leading the band.
The Cat and the Tune
1977
A flute playing cat leads a band composed of animals. The animated images accompany a recording of 'Eye Level'. Cats, mice, tigers, monkeys, camels, penguins, birds, as well as, a bear, a cheetah, an elephant, and a seagull appear with stop-clock precision to play instruments featured in the recording at appropriate points in the sound track. The flute-playing cat vies with a lion bandmaster in leading the band.
The Cat and the Tune
1977
NRThe first complete animation produced by Sheila Graber and set in her native South Shields. The film follows the adventures of a small boy and his cat as they walk through the snowy landscape, chase a Robin down onto the River Tyne and meet Father Christmas. The character of the boy is based upon Sheila’s nephew Nigel and the cat is based upon her own cat Whitey.
The Boy and the Cat
1974
NRThe first complete animation produced by Sheila Graber and set in her native South Shields. The film follows the adventures of a small boy and his cat as they walk through the snowy landscape, chase a Robin down onto the River Tyne and meet Father Christmas. The character of the boy is based upon Sheila’s nephew Nigel and the cat is based upon her own cat Whitey.
The Boy and the Cat
1974
