Dulce Huilen Azul

Perrone switches back to color and chooses European painting as the space for his tale and as his land of experimentation. The stage: paintings by Manet, Monet, Renoir, among other chosen artists; still, open-air landscapes put together through their similarities. The characters who move there: two men, two women, two hunters, two ominous creatures (one of them a tiny creature of the night with two eyes and a brutish and wild human body). Divided in 18 acts, the narrative of this film is limited to showing brief episodes about desire and violence as the fuel of human endeavors, while its characters roam in the woods. With no words at all, Perrone wagers all on the juxtaposition of textures, on superimpositions, and on the power of face close-ups – these are his main arguments.

Silver men enter consciences and appropriate desires. They travel through landscapes of oneiric impulses with the aim of processing the information to dominate the individuals’ needs. The inner universe reveals visions in which a possible reality is held.

An experimental feature shot mostly in the style of an old silent film, it tells the story of a jealous love triangle.