Daniel Werner

Víctor Maytland is approaching the end of his career. After years of work, his producer decides to stop financing his pornographic films, overflowing with narrative ideas and social content. His curious craft seems to be dying. In the shadows of his studio, during nights of desperation and obsessive writing, surrounded by papers and clouds of tobacco, he begins to shape a new project, the most absurd and crazy of his life. And so, with the meager resources he manages to gather, he sets out to undertake one last challenge: to make one last film, this time based on his memories as a young Peronist activist.

Joan is a naïve, 16-year-old who falls in love easily. One day he decides to escape to the provinces with Luciana, a beautiful 35-year-old woman and a teacher at his school, in order to give free rein to his love. Soon, Joan discovers with horror that he has fallen into a trap that is a mix between sex, money, politics and violence.

Joan is a naïve, 16-year-old who falls in love easily. One day he decides to escape to the provinces with Luciana, a beautiful 35-year-old woman and a teacher at his school, in order to give free rein to his love. Soon, Joan discovers with horror that he has fallen into a trap that is a mix between sex, money, politics and violence.

Joan is a naïve, 16-year-old who falls in love easily. One day he decides to escape to the provinces with Luciana, a beautiful 35-year-old woman and a teacher at his school, in order to give free rein to his love. Soon, Joan discovers with horror that he has fallen into a trap that is a mix between sex, money, politics and violence.

Ana spent the last four hours wasting her father's money on things that she doesn't need. Within minutes of closing time at the mall, she pays for her parking and then goes to find of her car, but when she gets to where she thinks she parked - Rabbit 105- the car is not there. If that was not enough, she also feels that someone is following her. Enjoy the suspense and tension of the dark parking lot!

A documentary that explores the influence of German modernist architecture in Argentina.

Lucas discovers that his new student is an old schoolmate, the boy who put him through the worst time of his life. The time for revenge has arrived.

During a terrifying night in Buenos Aires, five urban legends unfold in the most surprising way possible. While a politician is accused of being responsible for an urban tragedy in which fifteen people died, in Buenos Aires various stories based on urban legends intersect.

Erasmo Chambi is a Bolivian immigrant who survives on the outskirts of Buenos Aires, giving wrestling shows at local clubs. In his home country, he was a legendary wrestler: there were trading cards, posters and action figures of his character, El Ciclón (The Cyclone), which today are only relics in a forgotten drawer. Nowadays he trains his son to be his successor.

Elías, wounded and lost in the mist, rows back to his island only to find that the flood has washed away everything and his home lies lonely. He will try to change but this is not enough for the water to wash his blood.

Rudi and Silvia, with their children Martín, Federico and Silvina, escape from the city to spend a few days in their country house. Rudi gets into arguments with the neighborhood landlord. Children wander around the area. Martín likes fire. Fede is scared. One day, the abandoned house in the background suffers an unexpected fire and a dead person appears: a homeless man suffocated by the smoke. The children did something. Something horrible. Now, we will have to see a way to return to the desired calm.

Buenos Aires. 1928. Midnight at the editorial department of the mythical newspaper 'Critica'. Once again, Roberto Arlt (one of the most renowned Argentine writers) must go on the hunt for a sensationalist story.