Klaus Volkenborn

This film examines two parallel German lives: that of a Nazi general who continued in his job during the democratic era and a communist bricklayer who could hardly make ends meet after the war. Both had fought in the Spanish Civil War, but their stories can’t be merged; the audience gazes into a wound that will not heal.

Helga Reidemeisters poetic documentary gives various residents of East and West Berlin a chance to have their say. They discuss their different ways of life and the nature of their divided city. All interviews are refreshingly sincere when they consider the future of the city, and none of them are even remotely pro-American.

In 1970, Melek Tez came to Berlin as a young worker from Turkey. A confident woman, she first countered racist resentments and remarks with irony and wit. Jokingly, she even referred to herself as a "Kümmeltürkin", a derogatory German term for Turkish migrants. Yet after fourteen humiliating years, her fighting spirit has given way to resignation: Melek Tez is returning to Turkey. Blending documentary, interviews and re-enacted scenes, director Jeanine Meerapfel chronicles Melek Tez' life experience.

Three suicides leave long-lasting gaps among a group of classmates, many years after their graduation. Director and former classmate Andres Veiel organizes a reunion in search of clues. Despite huge differences in their personalities, the course their lives took and how each died, the three young men are indicative of life in a southwestern German small town in the 1980s. Pressure and career expectations from parents clash with adolescent desire for creative or sexual fulfillment. Even years later, the unspoken reflects the unspeakable that plagues the bereaved.

Dr. Lauren is staying in Prague for a conference and falls in love with Czech writer Jiri Kolmar.

Portrait of the spokesman of the student movement and extra-parliamentary opposition Rudi Dutschke, who died on December 24, 1979 from the late effects of an assassination attempt. The film is not limited to the mere biography of the extra-parliamentary politician, but also depicts the political environment as well as the late effects of the student movement. In retrospect, it condenses into a picture of a highly politicized society that had not yet begun its retreat into the private sphere.

This film examines two parallel German lives: that of a Nazi general who continued in his job during the democratic era and a communist bricklayer who could hardly make ends meet after the war. Both had fought in the Spanish Civil War, but their stories can’t be merged; the audience gazes into a wound that will not heal.

Helga Reidemeisters poetic documentary gives various residents of East and West Berlin a chance to have their say. They discuss their different ways of life and the nature of their divided city. All interviews are refreshingly sincere when they consider the future of the city, and none of them are even remotely pro-American.

In 1970, Melek Tez came to Berlin as a young worker from Turkey. A confident woman, she first countered racist resentments and remarks with irony and wit. Jokingly, she even referred to herself as a "Kümmeltürkin", a derogatory German term for Turkish migrants. Yet after fourteen humiliating years, her fighting spirit has given way to resignation: Melek Tez is returning to Turkey. Blending documentary, interviews and re-enacted scenes, director Jeanine Meerapfel chronicles Melek Tez' life experience.

Three suicides leave long-lasting gaps among a group of classmates, many years after their graduation. Director and former classmate Andres Veiel organizes a reunion in search of clues. Despite huge differences in their personalities, the course their lives took and how each died, the three young men are indicative of life in a southwestern German small town in the 1980s. Pressure and career expectations from parents clash with adolescent desire for creative or sexual fulfillment. Even years later, the unspoken reflects the unspeakable that plagues the bereaved.

Dr. Lauren is staying in Prague for a conference and falls in love with Czech writer Jiri Kolmar.

Portrait of the spokesman of the student movement and extra-parliamentary opposition Rudi Dutschke, who died on December 24, 1979 from the late effects of an assassination attempt. The film is not limited to the mere biography of the extra-parliamentary politician, but also depicts the political environment as well as the late effects of the student movement. In retrospect, it condenses into a picture of a highly politicized society that had not yet begun its retreat into the private sphere.

Since childhood, Raquel and Maria have been close friends. Now all grown-up, Raquel has fulfilled her dream of becoming an actress, while Maria has married a handyman, given birth to three children and runs the family household. In the wake of the Argentine military coup of 1976, Maria's oldest son Carlos is abducted. Desperate, Maria turns to her prominent friend for help. Yet the more Raquel gets involved in the search for Carlos, the more she becomes herself a target of the junta. Finally, she flees from Argentina to Berlin. Meanwhile Maria joins a group of women who investigate the fate of their disappeared relatives. In 1983, after the fall of the dictatorship, the two friends meet again.

In this German political drama, an ex-Stasi agent encounters an old friend whom he may have betrayed after his friend tried to escape East Germany. The former East German agent is Otto Skrodt who after many years is about to be promoted in the highest government ranks. He is anxious to maintain a squeaky clean image. His daughter is Isabelle. The young and friendly Kalle returns after spending many years in jail for his escape attempts. He doesn't know exactly who blew the whistle, but his friend Skrodt is definitely under suspicion. Kalle returns to ostensibly renew the friendship and to see Isabelle whom he loves. The duplicitous friendship between the two men becomes the main focus of the story which features interesting plot twists at the end.

Documentary about a self-managed glass production company in Immenhausen (Hesse). In March 1970, around 250 workers and employees took over the run-down and bankrupt glassworks of entrepreneur and owner Richard Süssmuth.

An intimate portrait of the director's sister: German model and former Playboy Playmate Hilde Kulbach.

Based on years of research into the mass rapes committed by the Red Army at the end of the Second World War. In the first part of the documentary Helke Sander interviews multiple German women who were raped in Berlin by Soviet soldiers in May 1945. Most women never spoke of their experience to anyone, after 46 years of silence they talk for the first time publicly about their violent experiences that have left such a mark.

No synopsis available yet.

In 1975, DFFB students search for traces of the labor movement of the 1920s in Charlottenburg's Zillestrasse. Wallstraße was one of the poorest residential areas in Berlin at the time and a stronghold of the German Communist Party (KPD). In detailed interviews, former KPD members talk about their organizational and propaganda work in the "house protection squads" and the street battles with the National Socialists. The documentary film Street in Resistance revives a chapter of the workers' movement that has received little attention in the West and also recalls the novel Our Street by writer Jan Petersen, published in exile in 1936, about everyday life in Wallstrasse.