Dioni Kourtaki

A 64-year-old mother is asked to decide whether to donate the organs of her 27-year-old brain-dead son to the man who caused his death in their car accident.

All indications were that Maraki was made for great things, for honor and distinctions. And yet contrary to all expectations our heroine cops out. She refuses to take the university entrance exams is left behind in the country town selling fruit tarts. No one can figure out how come that whiz kid got left behind. Neither can anyone understand why Maraki isn't mad at fate for having wronged her so flagrantly. How does she manage to be so creative and optimistic, ready to do battle with the everyday injustices of life wherever the may appear? She appears to understand something that all the others ignore.

A man trying to get in touch with his past is confronted with the realities of his nation's future in this drama. Andreas (Giorgos Dialegmenos) is an elderly man who finds himself caught in a wave of nostalgia about the home where he grew up with his mother. Andreas decides to travel to the Greek island where he and his mother lived in hopes of visiting his boyhood home, but he soon discovers that things have changed a great deal over the years; many familiar landmarks are gone, and no one on the island is terribly interested in helping him find his way. After much searching, Andreas thinks he's found the place where he grew up, only to discover the house is gone, and a group of refugees have set up camp on what used to be the family's property. Efimeri Poli was the first dramatic feature from director Giorgos Zafiris after helming a series of well-respected documentaries.

In the winter of 72 a young actress and divorced mother, is arrested and goes at Korydallos for resistance activities. But the nine-year daughter, Olga, who now has to live with her father will not ever forgive the abandonment and keep the "trauma" even as adult

Ιn a cheap by-the-hour hotel, a man is being arrested while the unconscious body of a woman is being transported to the hospital. In the back seat of the patrol car, on his way to the police station, the man recalls the past few months and tries to figure out what went wrong.

Nina, daughter of a Greek woman who left Egypt in 1956, goes for the first time to Alexandria, discovers the city and the longing of her mother to tell her an old love story that she had years ago with a French. but the mother doesn't tell her the truth, who knows why.

An existential reflection on time and gender.