Kaori Oda

A storyteller of peace serves as a guide in the “Gama”—natural caves where many local people lost their lives during the Battle of Okinawa. The woman in blue standing by his side represents the intersection of the present and the past.

Cenotes—sources of water that in ancient Mayan civilization were said to connect the real world and the afterlife. The past and present of the people living in and around them intersect, and distant memories echo throughout immersive scenes of light and darkness.

"My goal is not education, but liberation." In February 2024, a filmmaking workshop takes place in Fukushima under the guidance of the Hungarian master, Béla Tarr. Observing him mentor the students offers a glimpse into his unique perspective on cinema and his profound approach to the art of film.

A shadow reveals its form from the darkness underground. It communicates with a woman's consciousness, and she begins to see fragmentary memories that transcend time and place, as if daydreaming. The shadow takes on the woman's form and travels. Situating itself in places invisible from above ground, it traces what once happened there, listening to the human memories buried in the flow of time.

Miners in a Bosnian coal mine. The camera silently watches over the miners working tirelessly amidst endless noise and the flickering light of lanterns.

8mm short shot at night from the Osaka bay where the river flows into the sea

A storyteller of peace serves as a guide in the “Gama”—natural caves where many local people lost their lives during the Battle of Okinawa. The woman in blue standing by his side represents the intersection of the present and the past.

Cenotes—sources of water that in ancient Mayan civilization were said to connect the real world and the afterlife. The past and present of the people living in and around them intersect, and distant memories echo throughout immersive scenes of light and darkness.

Cenotes—sources of water that in ancient Mayan civilization were said to connect the real world and the afterlife. The past and present of the people living in and around them intersect, and distant memories echo throughout immersive scenes of light and darkness.

Cenotes—sources of water that in ancient Mayan civilization were said to connect the real world and the afterlife. The past and present of the people living in and around them intersect, and distant memories echo throughout immersive scenes of light and darkness.

"My goal is not education, but liberation." In February 2024, a filmmaking workshop takes place in Fukushima under the guidance of the Hungarian master, Béla Tarr. Observing him mentor the students offers a glimpse into his unique perspective on cinema and his profound approach to the art of film.

A shadow reveals its form from the darkness underground. It communicates with a woman's consciousness, and she begins to see fragmentary memories that transcend time and place, as if daydreaming. The shadow takes on the woman's form and travels. Situating itself in places invisible from above ground, it traces what once happened there, listening to the human memories buried in the flow of time.

A shadow reveals its form from the darkness underground. It communicates with a woman's consciousness, and she begins to see fragmentary memories that transcend time and place, as if daydreaming. The shadow takes on the woman's form and travels. Situating itself in places invisible from above ground, it traces what once happened there, listening to the human memories buried in the flow of time.

Miners in a Bosnian coal mine. The camera silently watches over the miners working tirelessly amidst endless noise and the flickering light of lanterns.

8mm short shot at night from the Osaka bay where the river flows into the sea

A moving image work from director Kaori Oda.

Moments in the life of a young Japanese filmmaker in Bosnia, charged with acoustic and visual poetry. Buoyant and essayistic entries in a process of self- and world-reassurance.

Moments in the life of a young Japanese filmmaker in Bosnia, charged with acoustic and visual poetry. Buoyant and essayistic entries in a process of self- and world-reassurance.

In a train from Sarajevo to Zagreb, looking at the landscape of the foreign country from a window, I somehow felt nostalgic and a question crossed my mind. “What is my first memory?” Could primitive memories be found and shared in human beings? If collective memories exist in us as what is inherited, I would like to know what it is like and to capture them by camera and sound recorder.

An omnibus movie produced to commemorate the 10th anniversary of Motomachi Eigakan.

No synopsis available yet.

The experiment presents a cinematic poem to filmmaking and film itself. Directed by eleven filmmakers, all under the vision of Bela Tarr's 'film.factory', delving into what keeps us making films.

The experiment presents a cinematic poem to filmmaking and film itself. Directed by eleven filmmakers, all under the vision of Bela Tarr's 'film.factory', delving into what keeps us making films.

A moving image work from Kaori Oda, inspired by the film "Desperate Man Blues".

A train runs at night. Goldfish float in passenger’s dreams.

A cowherd, sheep, and the wind, all have an equal presence in the village. Death and life are one and indivisible.

A cowherd, sheep, and the wind, all have an equal presence in the village. Death and life are one and indivisible.

When Kacchi came back home for summer break from abroad, she came out to her family as a homosexual. Her mother and father couldn't take it and answered in negative. Though Kacchi had a depression for their reactions, she decided to face her family again throughout a filmmaking about the 'coming-out'.

When Kacchi came back home for summer break from abroad, she came out to her family as a homosexual. Her mother and father couldn't take it and answered in negative. Though Kacchi had a depression for their reactions, she decided to face her family again throughout a filmmaking about the 'coming-out'.

No synopsis available yet.

No synopsis available yet.

Karaoke Cafe BOSA is located in the suburbs of Osaka. It’s a place where elderly neighbors gather to chat and sing. The film captures BOSA in these days of unrest as a time capsule of the Anthropocene.

Old 8mm family film and images of fireworks combined together.

“Light and darkness, brightness and obscurity, or if a more general expression is preferred, light and its absence, are necessary to the production of color… Color itself is a degree of darkness.” –Johann Wolfgang von Goethe

Recorded the restoration work done for the reopening of Tadao Ando's "Chapel of the Wind" in Rokko, Kobe. It tells the length of time by showing the mold and moss that eroded the concrete. When the closed door is opened, the stopped time starts flowing again.

No synopsis available yet.

No synopsis available yet.

A short film about the "hand" that connect our world and the other side, under the background of "Matsuage" in Kyoto.

A short film about the "hand" that connect our world and the other side, under the background of "Matsuage" in Kyoto.

No synopsis available yet.