Srđan 'Žika' Todorović

Retired porn star Milos leads a normal family life trying to make ends meet. Presented with the opportunity of a lifetime to financially support his family for the rest of their lives, Milos must participate in one last mysterious film. From then on, Milos is drawn into a maelstrom of unbelievable cruelty and mayhem.

After the NATO bombing of Yugoslavia in 1999, the Yugoslav army pulls out of Kosovo region, leaving Serbian people at the mercy of the Albanian UCK. A small band of soldiers must take over the Slatina airport, and hold it until the Russian peacekeepers arrive.

A small-time hustler makes a deal with a notorious gangster to whom he owes money: marry his teenage son to the latter's daughter. However, the young lovers are not as agreeable.

Black marketeers Marko and Blacky manufacture and sell weapons to the Communist resistance in WWII Belgrade, living the good life along the way. Marko's surreal duplicity propels him up the ranks of the Communist Party, and he eventually abandons Blacky and steals his girlfriend. After a lengthy stay in a below-ground shelter, the couple reemerges during the Yugoslav Civil War of the 1990s as Marko sees the opportunity to exploit the situation.

Viktor, a former employee of the developer company, leaves monotonous life and goes to rural areas of Serbia with the desire to find his peace and freedom.

In the improvised café “Radi Motka” in Dorćol, run and informally legalized by the resourceful Srboljub Dudić Srba, a diverse group of locals gathers: Žarko Zrenjanin, Vlada, Bane, Professor, Father Laza, Panja Panić, and Sloba. After a failed eviction, Sloba becomes the target of a media lynching, so the group organizes an improvised trial. This gives birth to SAČ – the Serbian Anti-Thief Squad. Encouraged by their initial success, SAČ members escalate their actions—from kidnapping Živaljević to hunting a dog poisoner—but the line between justice and lawlessness begins to blur. When they discover the poisoner is one of their own, the group falls apart and personal issues come to the surface. Forced to face the consequences of their actions, they manage to find a partial sense of peace, while “Radi Motka” survives as a symbol of their struggle and flawed attempts at justice.

A grenade fired from a nearby hill kills the parents of a ten year old boy during the siege of Sarajevo in 1992. The Boy looses his ability to speak. A lady neighbor adopts and takes care of him. The Boy is thrown out from his destroyed apartment and begins to prowl around the city with a schoolmate. Too early and too soon, he goes through the process of growing up. He learns the meanings of such words as force, death, sex. He learns how to achieve. He learns about the values. He learns what matters the most. The Lady neighbor that takes care of him tries to shelter him and protect him. Unsuccessfully. The Boy rides to fall. Death and suffering become more frequent, and more severe. When the Lady neighbor's teenage son is killed by a sniper as a collateral damage, she then rejects the Boy. The Boy escapes the siege, and shoots from a cannon at the city.Fifteen years later, the Boy - now twenty five - and the Lady neighbor meet again. They are united in pain and suffering.

Our heroes are high school students spending an unforgettable summer, full of adventures, on their way to a big rock festival. Producer Sava and director Žarko Babajić are filming an extreme sports commercial with Marija and Sindi. Mysterious “Zduhach” “refreshes” Uroš and Nenad with some local “kleka” juice. Stolen identity makes new rapper star G Spot Tornado angry, so things get even more complicated.

Biopic about Serbian folk singer Toma Zdravković, the man who is remembered not only for his songs and unique way he was singing them, but also as a bohemian, both in his behavior and his soul.

Miljenko, a successful Croatian businessman, receives the news that his company has just filed for bankruptcy. Things seem to be looking up, however, when his daughter announces not only her engagement, but also her pregnancy and upcoming nuptials. The only caveat? The love of her life is none other than the son of the Serbian prime minister.

We Are Not Angels III is a Serbian film. In 1973 during a Youth Work Action, budding musician Borko Pavić (Nikola Pejaković) is disappointed to find out that the majority of his fellow young workers prefer to dance kolo to folkish harmonica sounds rather than listening to him play his acoustic guitar. Heartbroken and depressed he confides in his best friend that he read that in America the young people make the devil appear by playing the music backwards who then makes them rich and famous. He becomes the mega popular rock'n'roll superstar Dorijan. Cut to 30+ years later Dorijan is still a debauched, coke-snorting, and alcoholic superstar, except that he's now playing turbo folk instead of rock'n'roll. He lives with a silicone trophy girlfriend Smokvica and his best friend from childhood is his business manager. Despite still having his women, fame, and fortune, Dorijan is unhappy about having to resort to playing a musical style he hates in order to have all that.

The search for the everlasting blue paint from Byzantine church murals turn into a sensual love story in which Europe meets the Balkans.

Pasha, a Serbian womanizer and entertainer, owns a luxurious hotel in Belgrade. He lives carelessly until one day he accidentally breaks a mafia kingpin’s new collectable that is worth a few million. To cover the debt the mafia kingpin makes Pasha marry his daughter. While the girl is preparing to marry the charming hotelier, Pasha by chance meets his Russian love Dasha, who he has not seen for four years. Their love is about to flare up in the romantic atmosphere of the ancient city… if not for the future father-in-law, a real husband, a blind grandad, and a friend with no money.

In a near-future Belgrade, a DJ stirs up trouble with his rocking anti-establishment broadcasts. After his station is shut down, he takes to the street and starts transmitting revolution with the police hot on his trail.

Belgrade, 1999. Producer Sergei and his film crew are in a disastrous situation - the film they're making is under threat - there's no money, the crew are dissatisfied - and NATO bombing is just around the corner. Then a member of the State Security Service (Mileta) comes looking for American co-producer Harvey. Anxious and worried, in the midst of the bombing that's begun, Sergei hides Harvey from what he thinks is awaiting him - arrest. During the night, he thinks up a plan. He announces the start of filming on a new, patriotic film - in which the main role will be played by Harvey. The plan works - the State supports the film and Mileta, as the State's representative, joins the crew. However, the underlying conflict between Mileta and Sergei explodes during the first screening. Mileta accuses them of being artists, and not being patriots.

When doctor suddenly left his workplace, a mechanic who came to fix the installations jumps into his chair. Now the “doctor” has to deal with a fake patient with the intention of retiring with disability, a paranoid who handles an axe very well; a mobster on forced leave.

The basic plot revolves around drug dealer Limeni and two men, Lemi and Kiza, who are trying to transport their dead grandfather for burial, until their car breaks down and they end up struggling to get him home onboard a train. This is when these two plots intersect and all hell breaks loose.

Two girls swear their former boyfriends and sent two demons Strahinja and Lola to take them. Strahinja must deliver the main heroes of this world or, by the decision of the judge of the Dark Vilayet, be returned to the unpleasant state of death. The four stories that make this omnibus film, follow main characters which Lola and Strahinja should pick up. Each of them tries to avoid death. You will see how the sanguine, phlegmatic, melancholic and kolerik cope with the death officers.

Mladen (44) Belgrade born, is a timeshare salesman at Montenegrin Holiday resort. He is having an affair with his colleague, Sonja (40), who is married to Metod (50) the chief sales manager who learns about his wife's infidelity. He assigns Mladen the toughest client - Omer, a Bosnian war veteran, who doesn't try to hide his aversion to Mladen. Everything becomes hopeless when Omer's three year old son Svendy falls over the edge of the hotel terrace and ends up in a hospital. Grim mood that prevails among the potential buyers is about to ruin the sales. Sonja and Metod blackmail Mladen to continue the sales at the hospital while Omer and his wife are waiting for their son's operation.

A documentary that takes an exclusive look at "A Serbian Film", with never-before-seen footage of the film and the worldwide reactions of one of the most talked about and controversial films of the last decade.

A story about Petar Maraš, a Belgrade criminal in his late twenties, whose one reckless move causes an avalanche of events that will greatly affect the lives of those around him.

Angel and the devil fight for the soul of a Belgrade playboy who made a young girl pregnant.

Dragi, young intern with his experienced colleague went to the province on a business trip. Older colleagues has the task to introduce a younger colleague into the business. They are sellers of books. But time is socialism. How to sell a book?

In 1985, four middle-aged Yugoslav emigres return to Belgrade for the funeral of Mariana, their beautiful compatriot. They called her Esther, for Esther Williams, she was the coxswain for their four-man rowing team, and they each loved her. They'd last seen her in 1953, when they rowed her across the Adriatic, pregnant, to join her exiled father in Italy. In flashbacks we learn the story of their youthful baptism into sex, smoking, rock and roll (Hey Ba-ba-re-bop), Hollywood and Swedish films, blue jeans on the black market, and their rivalry with Ristic, the Communist Party youth leader for whom they had instant antipathy.