Mirjana Vacić

After graduation, a young woman gets his first job in the women's prison in the province. The story follows her struggle to survive in a small town with her small child, alcohol addiction, and the battle with the prisoners and prison brutality and other schemers who wanted to remove her from working spot.

An absurd depiction of the communist revolution in Yugoslavia after World War II, the film primarily follows a group of young partisans who are placed in the home of a pre-war bourgeois family. The family then tries to adapt to the new ideology and values, often leading to various absurd situations.

Two brothers return to their devastated home village after the end of the Second World War with nothing to their name but their army-issue machine guns. There they find a traumatised German, abandoned in retreat. Together, the three men act out a tragicomic tale.

A young woman tries to make love to a park statue, but despite her passionate efforts, the monument remains cold and heartless. "Don’t Believe in Monuments" is an early short, where Makavejev subtly ridicules Yugoslav state-sponsored monument and history worship.

A group of children are harassed by a local bully. In order to stop him, they seek help of a retired boxer.