Alma Terzić

Askin Dünkü Çocuklari, tells a bittersweet love story from the 70s to the present day, blending it with the social issues of the period.

The story of a boy from the orphanage for abandoned children who tried to find out the truth about his origins. Through the story of a boy Alen, it describes the consequences of war casualties and immense injustice that war brought most helpless, the children.

Benjamin is a young poet from Turkey, works in Bosnia as a volunteer to help the extrication of dead bodies from the mass graves. He comes to Bosnia in order to escape from his past. A childish game of Benjamin causes Joseph's lover-Zeliha's dead. The psychological pressure of his job revives his past in his dreams. Zrinka is Serbian-Bosnian psychologist who is helping to the people in post war syndromes.Benjamin meets her committing suicide on Mostar Bridge.By the time they fall in love. She releases Benjamin from his qualms of conscience. Benjamin goes back to Turkey to face with his brother and past. Zrinka saw a dream something bad happened to Benjamin. She goes to Turkey but she finds secrets and new description of love.

Several directors from countries of the region were invited to create stories taking place in and around the beautiful city of Istanbul, in the vein of “Paris, je t’aime” and “New York, I love you”. They come together to remind viewers that Istanbul’s history does not belong only to the people of Turkey.

Alex and Selma are a couple in love on a trip to the heart of Bosnia and Herzegovina. Suddenly, Selma feels a mysterious force is chasing them.

In 1915, two Turks in Australia make a living by selling ice cream. When they hear war has broken out, they decide to go to Çanakkale. Authorities don't let them leave the island, so the two decide to put up a fight in Australia.

The dilemma of a married man in Trapezes between ethical values and his love to Olga, who is the daughter of an immigrant from Trapezes to Russia in the early 1900's.

The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.

In all its beauty, youth can be so naive that we cannot discern the important things… Love is the most wonderful and the most destructive thing in the world, all at the same time…