Angelika Fink

Katrin Fischer, a successful businesswoman and participant in a snuggle seminar, is looking forward to an evening tête-à-tête. But instead of romantic hours for two, a bullet in the heart awaits her.

It's his last chance to get back on his feet. And so Philipp Keyser knows no scruples as he approaches the young painter Alma, to find a lost painting, which is in the possession of a mysterious old man. Too late, Philip is clear that he expires more and more the young woman. In the main roles of Dominik Graf's film "In the evening of all days" Friedrich Mücke and the great theater actor and narrator Ernst Jacobi are to be experienced.

Luisa loves her teaching profession and is popular with her students because of her fresh teaching methods. But shortly after she refused to give a student a high school recommendation, a nude photo of her appears on her school's website. Her life becomes a gauntlet. Nowhere is she safe from sexual reprisals, her elementary school leaves her on leave and the police investigation leads nowhere. Then the young woman disappears. Traces in her house indicate a violent crime. Was Luisa the murder victim after the infamous slander?

The quiet place in the gallery of the church in Iffeldorf, where Lena Fauch occasionally found refuge and listened to the organist practise, is a place she will not see again for a long time. She accepts the offer from Detective Superintendent Kuda and becomes a police chaplain in Munich. Her first assignment confronts her with the criminal investigator Gregor Hoffmann. Hoffmann, who was assaulted during an arrest, is supposed to work through his misconduct with Lena Fauch. Hoffmann is unapproachable and rude. The encounters with him are provocative and disturbing. Chief Inspector Christian Fenn behaves quite differently. He is a self-confessed Christian and is delighted to have Lena as support in what he calls the "fight against Sodom and Gomorrah". Fenn is firmly convinced that he is one of the good guys.

"An eye for an eye, a tooth for a tooth" is the life motto of 30-year-old Agnieszka. After serving five years in prison, Agnieszka flees Poland for Germany in an attempt to start over. In Munich she meets the lonely 70-year-old Madame, boss of an escort agency. The woman provides her with a refuge and a job: Agnieszka begins to work as a dominatrix for Madame. She becomes like a daughter to her. All seems well until a much younger boy falls in love with Agnieszka. Madame will not stand any competition."

Sibylle, a pragmatic architect, mother and wife, witnesses a suicide of a woman her age while on vacation in Italy. Devastated by this incident, it causes the perception of her life and her family to change. Something inside of her has been set in motion that seems to endanger everything which she has defined herself by...

Rose is in her early forties and a single mother of three – supposedly – adult sons: Bernd, 23, earns money for the family during the day at a copy shop and in the evenings at a pub; Axi, 21, is training at a bank; and the youngest, Stan, who will soon turn 18, is skipping high school and would rather smoke weed and pursue a career as a DJ. Rose led a wild life as a squatter in the early 1980s, but that came to an abrupt end when she separated from Jürgen, the father of her three boys, more than ten years ago. They have had no contact since then. Rose moved into her grandfather's house with her three sons and now earns a living writing pulp fiction. And then there's her new boyfriend, Gerhard. She doesn't dare introduce him to her sons and doesn't know herself whether he's the right one.

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