
Directing
Mike Henderson
Acting credits
Behind the camera
Lights whirl around the frame. Experimental short film preserved by the Academy Film Archive in 2016.
Ducksarenodinner
1983
[1970/2003, color, 7.5 min] Experimental short film preserved by the Academy Film Archive in 2007.
King David
1970
NRA singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2016.
Down Hear
1972
NRExperimental short 16mm film directed by Mike Henderson. Preserved by the Academy Film Archive in 2010.
Money
1970
NRA motley cast of characters offer their thoughts on what’s most important in life. Experimental short film preserved by the Academy Film Archive in 2011.
Dufus
1970
No synopsis available yet.
Money Does
1982
A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2016.
When & Where
1984
NRA singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2016.
The Last Supper
1970
Experimental short film preserved by the Academy Film Archive in 2012.
How To Beat A Dead Horse
1983
NRA singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2014.
The Shape of Things
1981
Experimental short film preserved by the Academy Film Archive in 2014.
Too Late To Stop Down Now
1982
NRA singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2016.
Pitchfork and the Devil
1979
A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive.
Mother's Day
1970
Henderson leaves the house, as his experiment intersects with another film crew.
The Rocking Chair Film
1972
As a guitar screeches, the image comes into focus. Experimental short film preserved by the Academy Film Archive in 2012.
Just Another Notion
1983
Experimental short film. Preserved by the Academy Film Archive in 2015
Will She Get Over It?
1971

