Mike Henderson

Directing

Mike Henderson

Acting credits

Behind the camera

No artwork available
NR

Lights whirl around the frame. Experimental short film preserved by the Academy Film Archive in 2016.

Ducksarenodinner

1983

No artwork available
NR

[1970/2003, color, 7.5 min] Experimental short film preserved by the Academy Film Archive in 2007.

King David

1970

Down Hear poster
NR

A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2016.

Down Hear

1972

Money poster
NR

Experimental short 16mm film directed by Mike Henderson. Preserved by the Academy Film Archive in 2010.

Money

1970

Dufus poster
NR

A motley cast of characters offer their thoughts on what’s most important in life. Experimental short film preserved by the Academy Film Archive in 2011.

Dufus

1970

No artwork available
NR

No synopsis available yet.

Money Does

1982

No artwork available
NR

A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2016.

When & Where

1984

The Last Supper poster
NR

A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2016.

The Last Supper

1970

No artwork available
NR

Experimental short film preserved by the Academy Film Archive in 2012.

How To Beat A Dead Horse

1983

The Shape of Things poster
NR

A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2014.

The Shape of Things

1981

No artwork available
NR

Experimental short film preserved by the Academy Film Archive in 2014.

Too Late To Stop Down Now

1982

Pitchfork and the Devil poster
NR

A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2016.

Pitchfork and the Devil

1979

No artwork available
NR

A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive.

Mother's Day

1970

No artwork available
NR

Henderson leaves the house, as his experiment intersects with another film crew.

The Rocking Chair Film

1972

No artwork available
NR

As a guitar screeches, the image comes into focus. Experimental short film preserved by the Academy Film Archive in 2012.

Just Another Notion

1983

No artwork available
NR

Experimental short film. Preserved by the Academy Film Archive in 2015

Will She Get Over It?

1971